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文艺理论研究 ›› 2012, Vol. 32 ›› Issue (4): 106-115.

• 西方文论研究 • 上一篇    下一篇

阿多诺的“审美理性”与审美批判的智性之维——兼论启蒙理性批判的一种当代路径

赵霞   

  1. 浙江大学人文学院
  • 出版日期:2012-07-25 发布日期:2012-09-12
  • 作者简介:赵霞,助理研究员,浙江大学人文学院博士生,主要从事文艺学与儿童文学研究。

Adorno's Aesthetic Reason and the Intellectual Dimension of Aesthetic Critique: A Contemporary Approach to the Critique of Enlightenment Rationality

Zhao Xia   

  1. School of Humanities, Zhejiang University (Hangzhou 310028, China )
  • Online:2012-07-25 Published:2012-09-12
  • About author:Zhao Xia is a doctoral student and an assistant researcher at School of Humanities, Zhejiang University (Hangzhou 310028, China). Her research interest focuses on literary theory and children's literature.

摘要: 作为法兰克福学派的主要代表学者之一,阿多诺的“审美理性”既是贯穿其美学思想的一个重要概念,也是延续自整个西方审美现代性传统的一个基本范畴。阿多诺的审美理性构成了对于传统审美理性范畴的一次颠覆和重建,它试图藉由一种独特的审美反思寻求启蒙理性的当代救赎路径,这一思考在为人们提供某种激进的审美救赎方案的同时,也包含了一种审美批判的智性维度。在反思后现代话语和关注启蒙复兴的当代语境下,这一智性维度对于我们读解今天的许多审美现象以及理解和实践启蒙理性的当代批判具有重要的现实启示意义。 

关键词: 阿多诺, 审美理性, 启蒙理性, 审美救赎

Abstract: Aesthetic reason is as a key concept in Adorno's aesthetic thinking and belongs to the fundamental category in the aes-thetic modernity tradition. Adorno's idea of aesthetic reason leads to both the undermining and reconstructing of its original conception, and it aims to propose an approach to the redemption of the Enlightenment rationality through unique aesthetic reflection. While initiating a radical project for aesthetic redemption, Adorno's idea reveals the intellectual dimension of aesthetic critique of modernity, which, in today's rethinking of the post-modern discourse and exploration into the revival of Enlightenment spirit, offers vital clues for interpreting certain aesthetic phenomena and practicing critique of Enlightenment rationality.

Key words: Adorno, aesthetic reason, Enlightenment rationality, aesthetic redemption