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文艺理论研究 ›› 2012, Vol. 32 ›› Issue (1): 17-21.

• 会议专辑:东方视域中的西方美学 • 上一篇    下一篇

跨文化审美欣赏的四个维度

李庆本   

  1. 北京语言大学比较文学研究所
  • 出版日期:2012-01-25 发布日期:2012-03-24
  • 作者简介:李庆本,文学博士,北京语言大学比较文学研究所教授,博士生导师。主要从事跨文化美学研究。
  • 基金资助:


On the Four Dimensions of Cross-Cultural Aesthetic Appreciation

Li Qingben   

  1. Institute for Comparative Literature, Beijing Language and Culture University
  • Online:2012-01-25 Published:2012-03-24
  • About author:Li Qingben, Ph.D., is a professor with Institute for Comparative Literature, Beijing Language and Culture University. His interests cover comparative aesthetics and cross-cultural studies.
  • Supported by:


摘要: 跨文化审美欣赏的四个维度是指艺术作品的文化—作家世界观,文化—审美偏爱,形式的内容和符号价值。由于存在文化的差异性,我们在欣赏其他民族的艺术作品时,会面临许多困难。这四个维度可以帮助我们克服文化的障碍,从而理解和把握他者文化艺术作品的审美内涵。比较美学的根本任务并不在于比较中西艺术孰优孰劣,并不是将艺术作品作为论证文化差异性的材料,而是要找到使艺术作品从“物质对象”转化为“审美对象”的方法和途径。跨文化审美欣赏并不要求欣赏者完全认同不同的文化价值,而是要求欣赏者至少理解艺术作品的这四个维度。理解但不认同是跨文化审美欣赏中常见的现象。

关键词: 审美欣赏, 跨文化, 比较美学, 艾略特·多伊奇

Abstract: According to Eliot Deutsch's studies in Comparative Aesthetics, the four dimensions of cross-cultural aesthetic appreciation are Cultural-Authorial Weltanschauung, Cultural-Authorial Aesthetic Preference, Formal Content and Symbolic Values. We will encounter many difficulties when appreciating the works of art from other cultures because of cultural differences. However, the four dimensions can help us overcome these obstacles, thus making possible our better understanding of the aesthetic features of the works of art. Comparative aesthetics is not to weigh the supremacy of the Chinese art or the Western art, nor to take the work of art as proof to cultural differences, but to find some methods with which we can shift from the physical object to the aesthetic object in the process of appreciation. In cross-cultural aesthetic appreciation, the appreciator is not required to identity entirely with the values of other cultures, but expected to understand the four dimensions in the least. It is quite common that in cross-cultural aesthetic appreciation we understand cultural values different from ours but do not identity with them.

Key words: aesthetic appreciation, cross-cultural studies, comparative aesthetics, Eliot Deutsch

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