Welcome to Theoretical Studies in Literature and Art,

Theoretical Studies in Literature and Art ›› 2013, Vol. 33 ›› Issue (3): 208-214.

• Western Literary Theory and Studies in Aesthetics • Previous Articles     Next Articles

A Cultural Inquiry into the German Enlightenment Tragedy

Zhang Yuan   

  1. the Faculty of Arts at Heilongjiang University(Harbin, China, 150080)
  • Online:2013-05-25 Published:2013-06-25
  • About author:Zhang Yuan, Ph.D, is a lecturer in Comparative Literature & Culture Research Center, the Faculty of Arts at Heilongjiang University (Harbin, China, 150080). Her research interests focus on German classic aesthetics, Western art theory and aesthetic culture.

Abstract: In the light of modernity horizon, the German tragic dramas from 1850s to 1930s represented by Schiller, Goethe and Lessing may be argued to have been most deeply influenced by the Enlightenment Movement and become an independent cultural phenomenon of Enlightenment. The German tragic drama embodies the characteristics of German Enlightenment and infuses modernity to the German national culture, and it may well be called Enlightenment Tragedy. German enlightenment tragedy becomes an expression of the modernistic pursuit of German enlightenment culture, and the paper demonstrates the five aspects of the modernity German enlightenment tragedy pursued.

Key words: German enlightenment tragedy, enlightenment culture, modernity