Welcome to Theoretical Studies in Literature and Art,

Theoretical Studies in Literature and Art ›› 2013, Vol. 33 ›› Issue (3): 197-207.

• Western Literary Theory and Studies in Aesthetics • Previous Articles     Next Articles

The Will to Power: Retreating from the Ontological Position

Feng Xueqin   

  1. the Art Education Research Institute, Hangzhou Normal University
  • Online:2013-05-25 Published:2013-06-25
  • About author:Feng Xueqin, Ph.D., is an associate researcher at the Art Education Research Institute, Hangzhou Normal University, with research interests in Western aesthetics and animation art.

Abstract: "The will to power" has long been considered to be the foundation of Nietzsche's aesthetics or even his entire thought, as it is the most clarified differentiating mark in Nietzsche's philosophical thought. However, this claim has pinned Nietzsche's aesthetics on the metaphysical concept of aestheticization and overlooked his breakthrough contributions to contemporary aesthetics. The ontological theorization of the will to power is itself not an established theory, and a retreat from the ontological position of the theory can be found in Nietzsche’s later works. Nietzsche eventually abandoned his project to build a mansion of philosophy on The Will To Power. The paper argues that the theorization of the will to power should not be over-evaluated and the will to power should not be considered to be the essential route to Nietzsche’s aesthetics.

Key words: The Will to Power, ontology, genealogy, somaesthetic, Nietzsche's aesthetics