Abastado, Claude. “Introduction à l'analyse des manifestes.” Littérature 39(1980):3-11.
约翰·朗肖·奥斯汀:《如何以言行事》,杨玉成、赵京超译。北京:商务印书馆,2013年。
[Austin, John Langshaw. How to Do Things with Words. Trans. Yang Yucheng and Zhao Jingchao. Beijing: The Commercial Press, 2013.]
Backes-Haase, Alfons. “The Manifesto as Paradigmatic Medium of Dada.” Dada: The Coordinates of Cultural Politics. Ed. Stephen C. Foster. New York: G. K. Hall & Co., 1996. 135-154.
Ball, Hugo. “Kandinsky.” German Expressionism: Documents from the End of the Wilhelmine Empire to the Rise of National Socialism. Ed. Rose-Carol Washton Long. Berkeley, Los Angeles and London: University of California Press, 1995. 263-266.
Boccioni, Umberto, et al. “Futurist Painting Technical Manifesto.” Manifesto: A Century of Isms. Ed. Mary Ann Caws. Lincoln and London: University of Nebraska Press, 2001. 178-182.
———. “Manifesto of the Futurist Painters.” Manifesto: A Century of Isms. Ed. Mary Ann Caws. Lincoln and London: University of Nebraska Press, 2001. 182-184.
安德烈·布勒东:《超现实主义宣言》,袁俊生译。重庆:重庆大学出版社,2010年。
[Breton, André: Manifestoes of Surrealism. Trans. Yuan Junsheng. Chongqing: Chongqing University Press, 2010.]
Burliuk, David, et al. “A Slap in the Face of Public Taste.” Poems for the Millennium: The University of California Book of Modern and Postmodern Poetry. Vol.1. Eds. Jerome Rothenberg and Pierre Joris. Berkeley, Los Angeles and London: University of California Press, 1995. 223.
Caws, Mary Ann. “The Poetics of the Manifesto: Nowness and Newness.” Manifesto: A Century of Isms. Ed. Mary Ann Caws. Lincoln and London: University of Nebraska Press, 2001. xix-xxxi.
Césaire, Suzanne. “Surrealism and Us.” Manifesto: A Century of Isms. Ed. Mary Ann Caws. Lincoln and London: University of Nebraska Press, 2001. 489-492.
阿瑟·丹托:《艺术的终结之后——当代艺术与历史的界限》,王春辰译。南京:江苏人民出版社,2007年。
[Danto, Arthur C. After the End of Art: Contemporary Art and the Pale of History. Trans. Wang Chunchen. Nanjing: Jiangsu People's Publishing House, 2007.]
Dimovski, Vladimir. “An Approach to Avant-Garde Manifestoes.” Actual Problems of Theory and History of Art: Collection of Articles. Vol.1. Eds. Svetlana Maltseva and Ekaterina Stanyukovich-Denisova. St. Petersburg: Profession, 2011. 353-358.
Ebert, Teresa L. “Manifesto as Theory and Theory as Material Force: Toward a Red Polemic.” Journal of Advanced Composition 23.3(2003):553-562.
Gabo, Naum, and Antoine Pevsner. “The Realistic Manifesto.” Manifesto: A Century of Isms. Ed. Mary Ann Caws. Lincoln and London: University of Nebraska Press, 2001. 396-400.
克莱门·格林伯格:《先锋派与庸俗艺术》,《先锋派理论读本》,周韵主编。南京:南京大学出版社,2014年。13—28。
[Greenberg, Clement. “Avant-Garde and Kitsch.” Theory of the Avant-Garde: An Essential Reader. Ed. Zhou Yun. Nanjing: Nanjing University Press, 2014. 13-28.]
Lyon, Janet. Manifestoes: Provocations of the Modern. Ithaca and London: Cornell University Press, 1999.
Malevich, Kasimir. “Suprematism.” Manifesto: A Century of Isms. Ed. Mary Ann Caws. Lincoln and London: University of Nebraska Press, 2001. 404-412.
Poggioli, Renato. The Theory of the Avant-Garde. Trans. Gerald Fitzgerald. Cambridge, Massachusetts: Harvard University Press, 1968.
希·萨·柏拉威尔:《马克思和世界文学》,梅绍武等译。北京:生活·读书·新知三联书店,1980年。
[Prawer, S. S. Karl Marx and World Literature. Trans. Mei Shaowu, et al. Beijing: SDX Joint Publishing Company, 1980.]
Puchner, Martin. Poetry of the Revolution: Marx, Manifestos, and the Avant-Gardes. New Jersey: Princeton University Press, 2006.
Somigli, Luca. Legitimizing the Artist: Manifesto Writing and European Modernism, 1885-1915. Toronto, Buffalo and London: University of Toronto Press, 2003.
Tzara, Tristan. “Dada Manifesto.” Manifesto: A Century of Isms. Ed. Mary Ann Caws. Lincoln and London: University of Nebraska Press, 2001. 297-304.
Weeks, Kathi. “The Critical Manifesto: Marx and Engels, Haraway, and Utopian Politics.” Utopian Studies 24.2(2013):216-231.
雷蒙·威廉斯:《先锋派的政治》,《先锋派理论读本》,周韵主编。南京:南京大学出版社,2014年。203—219。
[Williams, Raymond. “The Politics of the Avant-Garde.” Theory of the Avant-Garde: An Essential Reader. Ed. Zhou Yun. Nanjing: Nanjing University Press, 2014. 203-219.]
Wood, Paul. “Modernism and the Idea of the Avant-Garde.” A Companion to Art Theory. Eds. Paul Smith and Carolyn Wilde. Oxford: Blackwell Publishers Ltd., 2002. 215-228.