Yi-Xia Distinction and Cultural Identity in the Reception of Calligraphy in the Northern Dynasties

Zhang Xingcheng

Theoretical Studies in Literature and Art ›› 2024, Vol. 44 ›› Issue (6) : 79-89.

PDF(1106 KB)
Welcome to Theoretical Studies in Literature and Art, May. 8, 2025
PDF(1106 KB)
Theoretical Studies in Literature and Art ›› 2024, Vol. 44 ›› Issue (6) : 79-89.
Issue in Focus: Studies on Chinese Art History

Yi-Xia Distinction and Cultural Identity in the Reception of Calligraphy in the Northern Dynasties

Author information +
History +

Abstract

The fluctuating recognition of Northern dynasties' calligraphy within Chinese calligraphic history stems not only from aesthetic considerations but also from complex cultural identity issues, which profoundly reflects the interaction between calligraphy and cultural politics. The Tang dynasty's reverence for Wang Xizhi and the trend toward “southernization” in calligraphic studies initiated the decline of Northern dynasties' calligraphy, while the Song Dynasty's rejection of Wei steles and related Northern styles reflected the orthodoxy of Jin and Tang, based on the Yi-Xia distinction and the divide between civilization and barbarism. Since the mid-to-late Qing dynasty, the transformation of academic thought, the demands of realistic cultural politics, and particularly the adjustment of Yi-Xia perspective in Qing scholars' studies of the Spring and Autumn Annals transformed the Qing people's view of Northern dynasties' calligraphy. Key thinkers like Ruan Yuan and Kang Youwei were central to this reevaluation, infusing Northern dynasties' calligraphy with new meanings such as “communicating with antiquity” and “transforming antiquity,” which disrupted the prevailing cultural hierarchies of south versus north, cultured versus uncultured, and Xia (Han culture) versus Yi (non-Han cultures) in calligraphic discourse. Emerging from the cultural-political contexts of the Tang, Song, and Qing dynasties, Northern dynasties' calligraphy became a paradigmatic style, which formed a distinct lineage within Chinese calligraphic history. Tracing the reception history of Northern Dynasties' calligraphy would deepen our understanding of the cultural-political psychological structures behind aesthetic values and critical norms in Chinese calligraphy.

Key words

Yi-Xia distinction / Northern dynasties' calligraphy / Wei steles / cultural identity / Ruan Yuan / Kang Youwei

Cite this article

Download Citations
Zhang Xingcheng. Yi-Xia Distinction and Cultural Identity in the Reception of Calligraphy in the Northern Dynasties[J]. Theoretical Studies in Literature and Art, 2024, 44(6): 79-89

References

包世臣:《包世臣全集》(二),李星点校。合肥:黄山书社,1993年。
[Bao, Shichen. The Complete Works of Bao Shichen. Vol.2. Ed. Li Xing. Hefei: Huangshan Publishing House, 1993.]
陈梦雷编纂:《古今图书集成》,蒋廷锡校订。北京:中华书局;成都:巴蜀书社,1985年。
[Chen, Menglei, ed. The Complete Collection of Ancient and Modern Books. Ed. Jiang Tingxi. Beijing: Zhonghua Book Company; Chengdu: Bashu Publishing House, 1985.]
陈思:《书小史》,《中国书画全书(第2版)》(三),卢辅圣主编。上海:上海书画出版社,2009年。107—148。
[Chen, Si. “A Brief History of Calligraphy.” The Complete Works of Chinese Painting and Calligraphy. Vol.3. Ed. Lu Fusheng. Shanghai: Shanghai Calligraphy and Painting Publishing House, 2009.107148.]
陈柱:《谈书法》,《学术世界》1.11(1935):1—5。
[Chen, Zhu. “On Calligraphy.” Academic Arena 1.11(1935):15.]
陈柱尊(即陈柱):《楷书詹言》,《东方杂志》38.7(1941):28—30。
[Chen, Zhuzun (aka Chen Zhu). “Trivial Remarks on Regular Script.” The Eastern Miscellany 38.7(1941):2830.]
崔尔平选编:《历代书法论文选续编》。上海:上海书画出版社,1993年。
[Cui, Erping, ed. A Sequel to Selected Works of Calligraphy Theory of Successive Dynasties. Shanghai: Shanghai Calligraphy and Painting Publishing House, 1993.]
华人德:《华人德书学文集》。北京:荣宝斋出版社,2008年。
[Hua, Rende. Hua Rende's Essays on Calligraphy. Beijing: Rongbaozhai Publishing House, 2008.]
饶宗颐:《中国史学上之正统论》。北京:中华书局,2015年。
[Jao, Tsung-i. The Orthodoxy in Chinese Historiography. Beijing: Zhonghua Book Company, 2015.]
康有为:《广艺舟双楫注》,崔尔平校注。上海:上海书画出版社,2006年。
[Kang, Youwei. Annotated Two Oars of Artistic Boat. Ed. Cui Erping. Shanghai: Shanghai Calligraphy and Painting Publishing House, 2006.]
——:《万木草堂口说(外三种)》,姜义华、张荣华编校。北京:中国人民大学出版社,2010年。
[–––. Lectures at the Wanmu Cottage, and Three Other Essays. Eds. Jiang Yihua and Zhang Ronghua. Beijing: China Renmin University Press, 2010.]
——:《康有为全集》(第一集),姜义华、张荣华编校。北京:中国人民大学出版社,2007年。
[–––. The Complete Works of Kang Youwei. Vol.1. Eds. Jiang Yihua and Zhang Ronghua. Beijing: China Renmin University Press, 2007.]
梁启超:《碑帖跋》,《饮冰室文集之四十四(上)》,《饮冰室合集》(卷五)。北京:中华书局,1989年。33—82。
[Liang, Qichao. “Postscripts to Steles and Rubbings.” Collected Essays from Ice Drinker's Studio. Vol.44.1. The Complete Collection from Ice Drinker's Studio. Vol.5. Beijing: Zhonghua Book Company, 1989.3382.]
欧阳修:《欧阳修诗文集校笺》,洪本健校笺。上海:上海古籍出版社,2009年。
[Ouyang, Xiu. Annotated Collection of Poetry and Essays of Ouyang Xiu. Ed. Hong Benjian. Shanghai: Shanghai Chinese Classics Publishing House, 2009.]
钱泳:《履园丛话》,张伟点校。北京:中华书局,1979年。
[Qian, Yong. Miscellaneous Remarks from the Lü Garden. Ed. Zhang Wei. Beijing: Zhonghua Book Company, 1979.]
全祖望:《全祖望集汇校集注(第2版)》,朱铸禹汇校集注。上海:上海古籍出版社,2018年。
[Quan, Zuwang. Annotated Collected Works of Quan Zuwang. Ed. Zhu Zhuyu. Shanghai: Shanghai Chinese Classics Publishing House, 2018.]
阮元:《揅经室集》,邓经元点校。北京:中华书局,1993年。
[Ruan, Yuan. Collected Works from the Yanjing Studio. Ed. Deng Jingyuan. Beijing: Zhonghua Book Company, 1993.]
沈尹默:《我的学书经历和书法群众化问题》,张一鸣、杨晓青编。杭州:浙江人民美术出版社,2019年。
[Shen, Yinmo. My Experience in Learning Calligraphy and the Issue of Popularizing Calligraphy. Eds. Zhang Yiming and Yang Xiaoqing. Hangzhou: Zhejiang People's Fine Arts Publishing House, 2019.]
新文丰出版公司编辑部:《石刻史料新编(第2版)》(第一辑)。台北:新文丰出版公司,1982年。
[Shin Wen Feng Publishing Co., Ltd., ed. Historical Materials of Stone Inscriptions: The New Compilation. Vol.1. Taipei: Shin Wen Feng Publishing House, 1982.]
陶宗仪 朱谋垔:《书史会要、续书史会要》,徐美洁点校。杭州:浙江人民美术出版社,2012年。
[Tao, Zongyi, and Zhu Mouyin. Official Documents of Calligraphy History; Sequel to Official Documents of Calligraphy History. Ed. Xu Meijie. Hangzhou: Zhejiang People's Fine Arts Publishing House, 2012.]
万斯同:《万斯同全集》(第八卷),方祖猷主编。宁波:宁波出版社,2013年。
[Wan, Sitong. The Complete Works of Wan Sitong. Vol.8. Ed. Fang Zuyou. Ningbo: Ningbo Press, 2013.]
王群栗点校:《宣和书谱》。杭州:浙江人民美术出版社,2012年。
[Wang, Qunli, ed. Xuanhe Treatise on Calligraphy. Hangzhou: Zhejiang People's Fine Arts Publishing House, 2012.]
夏晓虹编:《追忆康有为》。北京:中国广播电视出版社,1997年。
[Xia, Xiaohong, ed. Reminiscing Kang Youwei. Beijing: Chinese Radio and Television Publishing House, 1997.]
颜之推:《颜氏家训译注》,庄辉明、章义和译注。上海:上海古籍出版社,2012年。
[Yan, Zhitui. Annotation to and Translation of Yan's Family Instructions. Eds. Zhuang Huiming and Zhang Yihe. Shanghai: Shanghai Chinese Classics Publishing House, 2012.]
曾亦:《共和与君主:康有为晚期政治思想研究》。上海:上海人民出版社,2010年。
[Zeng, Yi. Republic and Monarchy: A Study of Kang Youwei's Late Political Thought. Shanghai: Shanghai People's Publishing House, 2010.]
张兴成:《“崇王”论与儒家书学道统的形成》,《文艺理论研究》6(2023):151—162。
[Zhang, Xingcheng. “The Veneration of Wang Xizhi and the Formation of Confucian Calligraphic Orthodoxy.” Theoretical Studies in Literature and Art 6(2023): 151162.]
张彦远纂辑,刘石校理:《法书要录校理》。北京:中华书局,2021年。
[Zhang, Yanyuan, and Liu Shi, eds. Annotated Essentials of Calligraphy. Beijing: Zhonghua Book Company, 2021.]
赵之谦:《赵之谦集》(第四册),戴家妙整理。杭州:浙江古籍出版社,2015年。
[Zhao, Zhiqian. Collected Works of Zhao Zhiqian. Vol.4. Ed. Dai Jiamiao. Hangzhou: Zhejiang Ancient Books Publishing House, 2015.]
朱长文纂次,陈志平汇校:《墨池编汇校》。上海:上海古籍出版社,2023年。
[Zhu, Changwen, and Chen Zhiping, eds. Collected Calligraphic Theories in the Northen Song Dynasty. Shanghai: Shanghai Chinese Classics Publishing House, 2023.]
朱大可:《论书斥包慎伯康长素》。《东方杂志》27.2(1930):25—29。
[Zhu, Dake. “On the Critique of Calligraphy: Against Bao Shenbo and Kang Changsu.” The Eastern Miscellany 27.2 (1930): 2529.]
朱维铮:《中国经学史十讲》。上海:复旦大学出版社,2002年。
[Zhu, Weizheng. Ten Lectures on the History of Chinese Classics. Shanghai: Fudan University Press, 2002.]

Funding

This article is supported by the Project of the National Social Sciences Fund (23BZX045).
PDF(1106 KB)

717

Accesses

0

Citation

Detail

Sections
Recommended

/