Wandering Between the “Image of the Mind” and the “Embodied Image”: Wen C. Fong's Semiotic Explanations for the Lyrical and Expressive Function of Chinese Calligraphy

Wandering Between the “Image of the Mind” and the “Embodied Image”: Wen C. Fong's Semiotic Explanations for the Lyrical and Expressive Function of Chinese Calligraphy

Theoretical Studies in Literature and Art ›› 2024, Vol. 44 ›› Issue (5) : 116-124.

PDF(1449 KB)

Welcome to Theoretical Studies in Literature and Art,

PDF(1449 KB)

Theoretical Studies in Literature and Art ›› 2024, Vol. 44 ›› Issue (5) : 116-124.

Issue in Focus： Comparative Literature Between China and the West

Wandering Between the “Image of the Mind” and the “Embodied Image”: Wen C. Fong's Semiotic Explanations for the Lyrical and Expressive Function of Chinese Calligraphy

{{article.zuoZhe_EN}}

Author information +

History +

HeighLight

{{article.keyPoints_en}}

Abstract

{{article.zhaiyao_en}}

Key words

QR code of this article

Cite this article

Download Citations

{{article.zuoZheEn_L}}. {{article.title_en}}[J]. {{journal.qiKanMingCheng_EN}}, 2024, 44(5): 116-124

References

List( Publishing order | Descend order by publishing year | Descend order by cited within ) Chart analysis

References

{{article.reference}}

Funding

RIGHTS & PERMISSIONS

{{article.copyrightStatement_en}}

{{article.copyrightLicense_en}}

PDF(1449 KB)

Accesses

Citation

Detail

Sections

Recommended

/

〈

〉