In the development of Wang Guowei's aesthetic theory, his intentions and methods of theoretical construction, the establishment of theoretical structures and levels, and the incorporation of academic principles all exhibit a close and direct relationship with his examination of Kant, Schopenhauer and other Western philosophy and aesthetics. Wang Guowei's journey from Commentary on the Dream of the Red Chamber, A Word on Literature to Preface to the Second Draft of the Poetic Remarks in the Human World, and finally to Poetic Remarks in the Human World illustrates a complex process from reliance on Schopenhauer and integration of Schiller's aesthetics, to reliance on Schopenhauer and integration of Kant's aesthetics, and then to reliance on Kant and integration of Schopenhauer's aesthetics. This process involves both sublation and integration. However, with the writing of A History of the Dramas of Sung and Yuan Dynasties, Wang Guowei began to gradually diminish the traces of Western influence. His transformation reflects his reflection and understanding of Western theories and concepts, the characteristics of Chinese literature and theory, and the compatibility of the two. This reflection encompasses the complexity and innovation of knowledge cognition and choice, thereby constituting an important subject in the study of academic history.
Key words
Wang Guowei /
aesthetic thought /
evolution, Kant
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