Poetry under Imperial Order and Seven-Character Metrical Poetry in the Early Tang Dynasty

Liu Shun

Theoretical Studies in Literature and Art ›› 2022, Vol. 42 ›› Issue (3) : 174-184.

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Theoretical Studies in Literature and Art ›› 2022, Vol. 42 ›› Issue (3) : 174-184.
Ancient Literary Theory and Theoretical Study of Ancient Literature

 Poetry under Imperial Order and Seven-Character Metrical Poetry in the Early Tang Dynasty

  • Liu Shun
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Abstract

Linguistic conditions and the refinement of language style are the prerequisite and facilitator for the popularity of specific poetry styles in Chinese classical poetry. The formation of four-character sentence was the linguistic prerequisite for seven-character poetry, and was also the fundamental reason for the decline of four-character poetry relying on “two-two” rhythm. The improvement of seven-character style resulted from imperial order was an important impetus for the rapid development of seven-character poetry. The grammatical reason behind the parallel between seven-character poetry and five-character poetry highlighted their difference, making seven-character lines more suitable to write about scenery, emotion and argument because of its representation space and grammatical density.  In terms of prosody, the “four-three” structure of seven-character line formed an expressive feeling that was more decorative and explicit than five-character sentence.

Key words

seven-character metrical poetry

/  style /  poetry under imperial order /  grammatical structure / prosodic structure


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Liu Shun.

 Poetry under Imperial Order and Seven-Character Metrical Poetry in the Early Tang Dynasty [J].

Theoretical Studies in Literature and Art, 2022, 42(3): 174-184

Funding

This article is supported by the Major Project of the National Social Science Fund (20&ZD265), the Education Science Key Project of the 14th Five-Year Plan of Heilongjiang Province (GJB1422030), and the Fundamental Research Fund for the Central Universities, HLJU (2021-KYYWF-0140).

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