The paper reinterprets the conceptual history of sublime theory from a feminist perspective. Besides exposing the deep imprint of patriarchal discourse in the classical version of the sublime, contemporary feminists make great efforts to remold the aesthetical category to incorporate the female experiences, subjectivity and ethics. Therefore, the concept of the sublime enjoys an expansion to include possibilities of transgressing borders, embracing emotion, upholding heterogeneity and advocating intersubjectivity. This is the new dynamic that feminism brings to the theoretical field of sublime aesthetics.