Welcome to Theoretical Studies in Literature and Art,

Theoretical Studies in Literature and Art ›› 2018, Vol. 38 ›› Issue (3): 151-159.

• Classical Literary Theory and Criticism • Previous Articles     Next Articles

An Interpretation of “Xingwei”

Sun Chao   

  1. the Department of Literature and Media at Shanghai University of Political Science and Law; the Department of Chinese Language and Literature at East China Normal University
  • Online:2018-05-25 Published:2018-10-19
  • About author:Sun Chao, Ph.D., is associate professor in the Department of Literature and Media at Shanghai University of Political Science and Law and postdoctoral researcher in the Department of Chinese Language and Literature at East China Normal University. His academic interests are ancient literature and modern novels.
  • Supported by:
    Project of National Social Sciences Fund (No. 15BZW122) and the Project of China Postdoctoral Science Fund (No. 2015M581559) 

Abstract: "Xingwei" is a poetic category based on the theory of "Xing" and "Wei" in Chinese poetics. Connecting "Xing" and "taste" theories, Zhong Rong put forward the theory of "Flavour", which refers to the beauty of implication in the content and situation of the poems. This became the basic meaning of "Xingwei" later. An overview ancients cases indicate that "Xingwei" mainly refers to an aesthetic feeling or experience implied in the poetry and can rouse the reader' extremely interest and enable the reader to have an endless aftertaste. It points to both aesthetic acceptance and the generation of creation, has two dimensions of poetry and daily life, and is both absorptive and open. It once became the common aesthetic standard of ancient literature together with other homogeneous categories. In modern times, it even once became the core of literary criticism, displaying the capacity of connecting the ancient and the modern, China and the West. Up to now, the poetic meaning of "Xingwei" continues to be open to all fields of art. It is worth special attention if we want to construct localized, autonomous critical discourse of China.

Key words: Xingwei, poetic category, aesthetic reception, generation of creation, aesthetic standard, construction of literary theory