Welcome to Theoretical Studies in Literature and Art,

Theoretical Studies in Literature and Art ›› 2018, Vol. 38 ›› Issue (3): 121-128.

• Classical Literary Theory and Criticism • Previous Articles     Next Articles

Aristocratic Portrait of Cifu: A Study of the Fuxue at the Xiao Family of Lanling in the Southern Dynasties

Liu Xiang   

  1. the School of Humanities, Xi'an Jiaotong University
  • Online:2018-05-25 Published:2018-10-19
  • About author:Liu Xiang, Ph.D., is a lecturer in the School of Humanities, Xi'an Jiaotong University, with research focused on the Chinese Fu Xue.
  • Supported by:
    the Key Program of the National Social Sciences Foundation of China (16AZW008), the China Postdoctoral Science Foundation (2016M602792) and the Fundamental Research Funds of Xi'an Jiaotong University (SK2018001)

Abstract: As an imperial family in the Southern Dynasties (420-589) , the Xiao family of Lanlin played the roles of royal members and literati, the interaction between which profoundly influenced the criticism and creative activities of Cifu. Wen Xuan supervised by Xiao Tong distinguished Sao and Fu and prioritized Fu. Taking Jinfu as the object of investigation, it constructed the concept of the dynamic history of Fu that attached importance to both great Fu and little Fu. In terms of content, the Xiao family often created lyrical little Fu with aristocratic interests and recreational tendencies, in accordance with the principle of yu mu xie xin and chun wen qiu hui. In terms of form, the Xiao family's Fuxue featured innovation and breakthrough by establishing a paradigm for traditional writing style, and making Fu more poetical. Enlightened and open-minded, the Xiao family constructed a special field for the creation of Cifu, which played an important role in the new changes of the Qi-Liang Dynasty.

Key words: the Xiao Family of Lanling, aristocracy, Cifu, new change