Welcome to Theoretical Studies in Literature and Art,

Theoretical Studies in Literature and Art ›› 2015, Vol. 35 ›› Issue (2): 103-109.

• Modern and Contemporary Literary Theory and Criticism • Previous Articles     Next Articles

The Public Nature and the Governance of Contemporary Visual Culture

Min Xueqin, Zheng Liyong   

  1. 1. the Department of Sociology, School of Social and Behavioral Sciences, Nanjing University (Nanjing 210046, China) 2. the School of Journalism and Communication, Nanjing University (Nanjing 210046, China)
  • Online:2015-03-25 Published:2015-06-17
  • About author:Min Xueqin, Ph.D., is a professor in the Department of Sociology, School of Social and Behavioral Sciences,Nanjing University (Nanjing 210046,China), with research interests covering urban sociology,cultural sociology and social statistics. Zheng Liyong, Ph.D., is a professor in the School of Journalism and Communication, Nanjing University (Nanjing 210046, China), with research interests covering media economics and management.

Abstract: Contemporary visual culture is encroaching on daily, social and political lives of the public with diversified content and in hi-tech forms. The public nature of contemporary visual culture brings much convenience for itself to integrate into public space, guide public value and participate into public governance. Empirical investigations show that visual culture representing everyday life tends to provide entertainment and interest, and visual culture reflecting social life is hypersensitive to the public nature, while visual culture referring to political life is becoming more pronounced for its remedying social inequality and nurturing participation habits. Visual culture is provided with an unprecedented opportunity to participate into public governance. From the top-design, platform construction and public awareness, the mutual benefit of visual culture and public governance will bring new changes for human civilization.

Key words: visual culture, public nature, public governance