Welcome to Theoretical Studies in Literature and Art,

Theoretical Studies in Literature and Art ›› 2016, Vol. 36 ›› Issue (6): 54-63.

• Conference Highlights: Event, Theory and Art • Previous Articles     Next Articles

Black Noise, White Noise, and Ghostly Sound: the Ontology of Noise in the Context of Deleuze's Conception of Event

Jiang Yuhui, Zheng Yan   

  1. East China Normal University (Shanghai 200241, China)
  • Online:2016-11-25 Published:2017-09-30
  • About author:Jiang Yuhui, Ph.D., is a professor in the Department of Philosophy, East China Normal University (Shanghai 200241, China). His main research area is contemporary French philosophy and art philosophy. Zheng Yan, Ph.D., is an associate professor in the Department of Music, East China Normal University (Shanghai 200241, China). Her research interest covers composition and music theory, interdisciplinary research on music analysis and philosophy.

Abstract: As a complicated concept, Deleuze's "event" has traversed different phases of his thinking. However, one should always return to Logique du sens to have a thorough and proper understanding of this idea. Through detailed interpretation of the Stoic theory about "incorporeal", causality and temporality, this article intends to justify the ontological priority of event. The most recent arguments from the speculative realism have also shed a new light on this guiding line implicit in LS. This emerging correlation took its initial shape especially through the contemporary noise music that not only serves as the figurative counterpoint to the philosophical argument, but dramatically expands the theoretical horizon towards terre incognito.

Key words: event, incorporeal, four-dimensional object, noise