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Formal Aesthetics of Ballads: Ideas of Literary Language in the Chinese Ballad Campaign

Cao Chengzhu   

  1. the Center for Literary Theory and Aesthetics of Shandong University
  • Online:2018-11-25 Published:2019-03-24
  • About author:Cao Chengzhu, Ph.D. in literature, is an associate professor of The Center for Literary Theory and Aesthetics of Shandong University. His research focuses on Marxist literary theory, aesthetic anthropology, as well as folk art and aesthetics.
  • Supported by:
    the Future Project for Young Scholars of Shandong University (2016WIJH08) and the Major Project of National Social Sciences Foundation (15ZDB023)

Abstract: Although the language of ballad seems simple and unadorned, its specific formal skills and overall idea of form run through the whole text, where its important literary value lies. It not only has a set of internal formal rules, but also shows a close association with daily spoken language, dialect, and ancient Chinese poetry. Therefore, what is worthy to learn for the New Literature is not wonderful words or sentences in a ballad, or its simple and natural language style or strong feelings expressed for ordinary people, but its formal rules. These rules not only provide useful reference and nourishment for formal innovation of literary language, but also enrich the New Literature in terms of emotional structures and realistic contents, and promote the modernization of Chinese literature in the 20th century in expressions and aesthetic meanings.

Key words: ballad, the Ballad Campaign, literary language