Welcome to Theoretical Studies in Literature and Art,

Theoretical Studies in Literature and Art ›› 2015, Vol. 35 ›› Issue (1): 166-174.

• Studies in Western Literary Theory • Previous Articles     Next Articles

On Spectral Criticism

Zeng YanBing   

  1. the College of Literature, Renmin University of China (Beijing 100872, China) and Tianjin Normal University (Tianjin 300387, China)
  • Online:2015-01-25 Published:2015-04-04
  • About author:Zeng Yanbing is a professor in the College of Literature, Renmin University of China (Beijing 100872, China) and Tianjin Normal University (Tianjin 300387, China), specializing in the 20th century foreign literature and comparative literature.

Abstract: A critical approach or theory called "spectral criticism" has gradually risen in the West in the past two decades. Blanchot's reading theory is considered as the origin of this theory. In Blanchot's view, the act of reding has a spectral nature, which attributes to the spectral nature of the text. The spectral nature of the text in turn determines the nature of the history embodied in the text. Shakespeare's Hamlet is identified as a typical spectral work, whose spectral nature appears both as specters in the play and in the spectral nature of the work itself. The origin of spectral literature can be traced back almost to the origin of Western literature, and the most typical target of spectral criticism is Gothic literature. Spectral criticism has so influenced criticism that all schools of criticism take on a spectral nature.

Key words: specter, criticism, spectral criticism