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• “五四文学百年纪念”专题 • 上一篇    下一篇

魂归何处——回看辛亥至五四时期的中国艺术

王一川   

  1. 北京大学艺术学院
  • 出版日期:2019-03-25 发布日期:2019-06-11
  • 作者简介:王一川,文学博士,北京大学艺术学院教授,主要从事文学美学和艺术理论研究。
  • 基金资助:
    本文为2018年度国家社科基金艺术学重大项目“文艺发展史与文艺高峰研究”[项目批准号18ZD02]之阶段性研究成果。

Where Did the Souls Go?: Revisiting the Chinese Art from the Xinhai Revolution to the May Fourth Movement

Wang Yichuan   

  1. School of Arts, Peking University
  • Online:2019-03-25 Published:2019-06-11
  • About author:Wang Yichuan, Ph. D., is Professor at the School of Arts, Peking University. His main research interests are literary aesthetics and art theory.
  • Supported by:
    the Major Project of National Social Sciences Fund (18ZD02)

摘要: 有必要把五四文学同辛亥文学联系起来并扩展为五四艺术去分析。伴随政体由古典帝制向现代共和制的根本改变,现代中国艺术逐渐开始自身的现代性转变:徐枕亚的断魂之痛,苏曼殊的无魂之殇,吴昌硕的强骨向生,鲁迅的丧魂之狂语和胡适的白话文乌托邦等,相继成为辛亥至五四时段中国艺术的引人瞩目的风景带。它们的共同点之一在于要在丧魂落魄的年代为现代中国艺术寻找和建构新灵魂,尽管魂归何处仍是一个待解的疑难。

关键词: 五四艺术, 魂归何处, 断魂之痛, 无魂之殇, 强骨向生, 丧魂之狂语, 白话文乌托邦

Abstract: It is necessary to link the May Fourth literature with the Xinhai literature and to expand them into the May Fourth art for analysis. With the fundamental change of the political system from traditional monarchy to modern republic, modern Chinese art began its own modern transformation. For example, Xu Zhenya's pain of soul breaking, Su Manshu's mourning of soullessness, Wu Changshuo's endless growth of strong spirit, Lu Xun's madness of wounded soul, and Hu Shi's vernacular Utopia, have successively become the spotlights of Chinese art from the Xinhai Revolution to the May Fourth Movement. They shared the common objective to seek and construct new souls for modern Chinese art in the era when people lost souls and spirits, although where the souls went remained an intractable problem to be solved.

Key words: May Fourth art, where did the souls go, pain of soul breaking, mourning of soullessness, endless growth of strong spirit, madness of wounded soul, vernacular Utopia

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