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文艺理论研究

文艺理论研究 ›› 2018, Vol. 38 ›› Issue (4): 131-137.

• 专题：艺术理论研究 • 上一篇    下一篇

笔触、肌理与绘画原作的欣赏

何振浩
  

  1. 上海师范大学法政（哲学）学院；上海师范大学美术学院
  • 出版日期:2018-09-25 发布日期:2018-10-22
  • 作者简介:何振浩，上海师范大学法政（哲学）学院在读博士，上海师范大学美术学院/讲师，主要从事绘画及艺术理论教学。

Brush Strokes, Texture and Appreciation of the Original Painting

He Zhenhao   

  1. School of Philosophy and Political Sciences; Shanghai Normal University School of Fine Arts, Shanghai Normal University
  • Online:2018-09-25 Published:2018-10-22
  • About author:He Zhenhao is a Ph.D. candidate at the School of Philosophy and Political Sciences, Shanghai Normal University. He is a lecturer at the School of Fine Arts, Shanghai Normal University. He is mainly engaged in teaching of painting and art theory.

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摘要： 在一个新媒体时代，人们越来越多地从印刷品，电子媒体，甚至我们的手机屏幕上来观看和欣赏艺术作品。但这样的观看不可替代面对原作的观看。本文从绘画原作的笔触与肌理的分析入手，来探讨观看原作的触感视觉特征以及观看原作时观者与作者的通灵体验。从而提出面对原作的观看与面对印刷品和电子媒体的观看的本质区别。以此证明和强调欣赏原作的不可替代性和对艺术欣赏的重要价值。

关键词: 笔触, 肌理, 绘画原作, 触感视觉, 通灵体验

Abstract: In the age of new media, people have many ways to appreciate art works. We get increasingly used to watching and appreciating them with print and electronic media, and even with our cell phone screens. But whether this way of watching can completely replace the way to see the original? Through the analysis and research of the original painting brush strokes and texture, this article explores the haptic visuality and the observer's psychic experiences with the author, so as to find out the essential difference between watching the original works and watching with the print and electronic media. Finally, this article intends to justify and emphasize the singularity of the original and the significance of watching original art works.

Key words: brush strokes, texture, original painting, haptic visuality, psychic experiences with the author