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文艺理论研究

文艺理论研究 ›› 2018, Vol. 38 ›› Issue (4): 122-130.

• 专题：艺术理论研究 • 上一篇    下一篇

表象的震颤——塞尚苹果的内在性

李科林
  

  1. 中国人民大学哲学院
  • 出版日期:2018-09-25 发布日期:2018-10-22
  • 作者简介:李科林，博士，中国人民大学哲学院副教授，主要从事当代法国哲学和现代性的研究。
  • 基金资助:
    国家社会科学基金项目“德勒兹哲学思想研究”[项目编号：2017010064]的阶段性成果

The Vibration of Appearance: The Immanence of Paintings

Li Kelin   

  1. School of Philosophy, Renmin University of China
  • Online:2018-09-25 Published:2018-10-22
  • About author:Li Kelin, Ph.D., is an associate professor in the School of Philosophy, Renmin University of China. Her research fields mainly cover contemporary French philosophy and theory of modernity.
  • Supported by:
    the Social Sciences Fund of China (2017010064)

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摘要： 通过讨论夏皮罗、梅洛-庞蒂、D.H.劳伦斯以及德勒兹对于塞尚绘画的阐释，首先要力图呈现绘画的美学理论在进入到20世纪的不同方向：精神分析、现象学、文艺批评以及后结构主义，其次是要论证这些观点虽然相互指涉，又各有所取，但是他们并不是线性的继承和发展关系，而是平行和相互溢出的状态。最后，这些对于塞尚绘画的观察均是对绘画内在性的挖掘，以此使我们获得了更多的角度去抵抗从外部消解艺术本质的消费符号论，重建绘画对于个体而言的艺术性根源。

关键词: 夏皮罗, 梅洛-庞蒂, D.H.劳伦斯, 德勒兹

Abstract: Via reading through the different interpretations on Cezanne's painting by Meyer Schaprio, Merleau-Ponty, D. H. Lawrence and Deleuze, this article is firstly aimed at manifesting the different directions in the development of aesthetic theories after the 20th century: psychoanalysis, phenomenology, literary and art criticism, as well as post-structuralism. Secondly, it intends to demonstrate that although these critiques refer to and draw from one another, they are in parallel relation. And lastly, these observations have elaborated on the artistic world inside the painting, which provides us with a defense of the inexhaustible immanence of art against the negative nihilism of the art market value.

Key words: Meyer Schapiro, Maurice Merleau-Ponty, D.H.Lawrence, Gilles Deleuze