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• 中国特色文论话语体系研究 • 上一篇    下一篇

从动静文明论到文化形上学——1930—1940年代宗白华营构中国艺术意境的方法论转移

金浪   

  1. 重庆大学人文社会科学高等研究院
  • 出版日期:2018-09-25 发布日期:2018-10-22
  • 作者简介:金浪，文学博士，重庆大学人文社会科学高等研究院副教授，主要从事中国现当代文论与美学的研究。
  • 基金资助:
    重庆市社科规划项目“抗战国统区文论与美学中的民族文化心理构建研究”[项目编号：2016QNWX34]；重庆大学中央高校基本科研业务费专项项目“李长之抗战时期文艺复兴论研究”[项目编号：2018CDXYGYY0050]的阶段性成果

From the Dynamic and Static Civilizations to Cultural Metaphysics: Zong Baihua's Methodological Transformation of Constructing Chinese Artistic Conception in the 1930s and 1940s

Jin Lang   

  1. Institute for Advanced Studies on Humanities and Social Sciences, Chongqing University
  • Online:2018-09-25 Published:2018-10-22
  • About author:Jin Lang is an associate professor at the Institute for Advanced Studies on Humanities and Social Sciences, Chongqing University. His research focuses on literary theories and aesthetics in modern China.
  • Supported by:
    Chongqing Social Sciences Fund (2016QNWX34) and the Chongqing University Fundamental Research Funds for the Central Universities (2018CDXYGYY0050)

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摘要： 本文旨在分析宗白华1930—1940年代通过中西绘画比较来营构中国艺术意境的方法论转移。从最初以动静文明论来分判中西文化，到对作为“动静融合”的“气韵生动”的阐发，再到以时空范畴来置换动静范畴，围绕“趋向音乐”与“空间感形”来论说中西画法差异，到最终在中西形上学比较中以“时间率领空间”来概括中国人的宇宙观特质。这些看似重复的工作，实则是宗白华在方法论转移中进行的艰难探索，由此也才为“中国美学”的现代构建工程奠定了重要的理论基石。

关键词: 宗白华, 动静文明论, 时间-空间, 文化形上学

Abstract: This article aims to analyze Zong Baihua's methodological transformation of constructing Chinese artistic conception by comparing Chinese and Western paintings during the 1930s and 1940s. In the beginning, Zong Baihua describes that China and the West are respectively static and dynamic; then he turns to consider China a fusion of both by interpreting it as qiyun shengdong (rhythmic vitality), after that, he focuses on the difference between Chinese and Western painting techniques by using the ideas of "musicality" and the "perception of space" to replace the concepts of dynamic and stasis with that of time and space; and finally, he conceptualizes Chinese views of universe as "time-leading-space" in the comparison of Chinese and Western metaphysics. Through these seemingly repetitive but really difficult explorations on the methodological transformation, Zong Baihua has provided the theoretical cornerstone for the modern project of "Chinese Aesthetics".

Key words: Zong Baihua, dynamic and static civilizations, time-space, cultural metaphysics