从《红楼梦》题名论曹雪芹小说创作观念的演进

文艺理论研究 ›› 2014, Vol. 34 ›› Issue (6): 138-145.

• 古代文论与古代文学的理论研究 • 上一篇下一篇

从《红楼梦》题名论曹雪芹小说创作观念的演进

李清宇

华东师范大学对外汉语学院

出版日期:2014-11-25 发布日期:2014-12-07
作者简介:李清宇，华东师范大学对外汉语学院讲师，主要从事中国文学古今贯通研究。

An Exploration into Cao Xueqin's Notion of Novel Writing through the Titles of His Dream of the Red Chamber

Li Qingyu

the International College of Chinese Studies, East China Normal University (Shanghai 200062, China)

Online:2014-11-25 Published:2014-12-07
About author:Li Qingyu is a lecturer in the International College of Chinese Studies, East China Normal University (Shanghai 200062, China), with research focus on the evolution of Chinese literature from the ancient to the modern.

摘要/Abstract

摘要： 《红楼梦》有五个题名，其不同的题名实际蕴含着不尽相同的小说创作观念。从《风月宝鉴》题名的“寓劝戒”，到《石头记》和《情僧录》题名的“实录其事”，再到《金陵十二钗的》题名的“问世传奇”，终至《红楼梦》题名的“戏与梦同”，《红楼梦》题名的变迁实际体现出曹雪芹在前后相继的创作阶段中小说创作观念的演进。

关键词: 曹雪芹, 《红楼梦》, 题名, 小说创作观念, 演进

Abstract: Cao Xueqin’s novel Dream of the Red Chamber had five different titles. These titles reflect the author’s different notions of novel writing. The title A Precious Mirror to Love Affair implies an allegorical discipline, the titles The Story of the Stone and Emotional Monk’s Record indicates authentic record of the real things, the title Twelve Beauties of Jinling tries to be a legend to question the world, and the final title A Dream of the Red Chamber expresses the notion of "a dream being the same as a play." The change of titles reflected the evolution of Cao Xueqin's notion of novel writing in different stages of creative writing.

Key words: Cao Xueqin; Dream of a Red Chamber, book title, notion of novel writing, evolution

李清宇. 从《红楼梦》题名论曹雪芹小说创作观念的演进[J]. 文艺理论研究, 2014, 34(6): 138-145.

Li Qingyu. An Exploration into Cao Xueqin's Notion of Novel Writing through the Titles of His Dream of the Red Chamber[J]. Theoretical Studies in Literature and Art, 2014, 34(6): 138-145.

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从《红楼梦》题名论曹雪芹小说创作观念的演进

An Exploration into Cao Xueqin's Notion of Novel Writing through the Titles of His Dream of the Red Chamber

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