欢迎访问《文艺理论研究》，
文艺理论研究

文艺理论研究 ›› 2014, Vol. 34 ›› Issue (6): 79-84.

• 西方文论与美学研究 • 上一篇    下一篇

“转向”与“透支”：现代艺术抽象化与艺术的终结

彭修银，吴震东   

  1. 中南民族大学文学与新闻学院
  • 出版日期:2014-11-25 发布日期:2014-12-07
  • 作者简介:彭修银，博士，教授，文学与新闻学院，中南民族大学首席教授、南方少数民族审美研究中心主任、博士生导师。 吴震东，民族艺术学博士研究生，中南民族大学，主要研究方向为艺术哲学、地方审美文化。

On the Abstraction of Modern Art and the End of Art

Peng Xiuyin, Wu Zhendong   

  1. the College of Art and Communications, South-Central University for Nationalities (Wuhan 430074, China)
  • Online:2014-11-25 Published:2014-12-07
  • About author:Peng Xiuyin is a professor in the College of Art and Communications, South-Central University for Nationalities (Wuhan 430074, China). Wu Zhendong is a Ph.D. student in South-Central University for Nationalities (Wuhan 430074, China), with research focus on the philosophy of art and local aesthetic culture.

PDF (PC)

35

摘要： 研究现代艺术，其抽象化的创作手法作为一种艺术言说方式的转向是无法回避的要素。现代艺术抽象化的原因可以规约为两个层面：社会现代性的“他律因”和艺术自身发展细密化的“自律因”。现代艺术诞生以来，抽象化的“元叙事”在一次次嬗变中最终达到了形式的“透支”，即一种所谓的“艺术的终结”。然而，脱开“艺术进步论”的拘囿，艺术并未真正的终结：它只是创造着属于自己时代的文化标志，进而实现其“泛宗教”化的文化意义。

关键词: 现代艺术, 现代性, 抽象化, 艺术的终结

Abstract: This paper aims at analyzing the abstraction as a method in the creative process of modern art. The paper argues that the reasons for abstraction may be attributed to two aspects. One aspect is the heteronomy from social modernity, and the other is the autonomy of the development of art itself. Since the birth of modern art, the meta-narrative of abstraction has been overdrawn through repeated transformations, which results in the claim of "the end of art." However, from a perspective not limited to the idea of progressiveness of art, art has not reached its end yet. Instead, art is being created to be the cultural symbol of the age and realize the cultural significance.

Key words: modern art, modernity, abstraction, the end of art