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文艺理论研究 ›› 2014, Vol. 34 ›› Issue (5): 137-145.

• 西方文论与美学研究 • 上一篇    下一篇

“恰当审美”如何才算恰当?——以肯德尔·沃尔顿的艺术审美理论为例

赵玉   

  1. 济南大学文学院
  • 出版日期:2014-09-25 发布日期:2014-10-09
  • 作者简介:赵玉,文学博士,济南大学文学院副教授。文艺学专业,主要从事文艺美学、审美文化及环境美学研究。
  • 基金资助:
    本文为国家社会科学基金项目“20世纪‘恰当审美’理论的谱系及生态价值研究”[项目编号:14BZW022]及教育部人文社会科学青年基金项目“当代西方‘恰当审美’理论及与道家审美思想的互补关系研究”[项目编号:13YJCC751083]的阶段性成果。

How Can "Appropriate Aesthetic Appreciation" Be Appropriate? Exemplified with Kendall Walton's Aesthetic Art Theory

Zhao Yu   

  1. the School of Literature and Art, University of Ji'nan (Ji'nan 350003, China)
  • Online:2014-09-25 Published:2014-10-09
  • About author:Zhao Yu, Ph.D., is an associate professor in the School of Literature and Art, University of Ji'nan (Ji'nan 350003, China), with research interests in aesthetics and art theory.

摘要: 沃尔顿认为,仅仅根据艺术作品的自身特征进行审美判断是不恰当的,“恰当审美”必须依赖艺术作品的“正确范畴”和相关史实。但通过详细分析会发现,他所谓的“恰当审美”实际上仍不够恰当:首先,“正确范畴”本身问题重重,难以发挥关键作用;其次,与作品相关的历史事实尽管重要,却无法担当充分条件。真正的“恰当审美”或许应遵循以下原则:其一,以对艺术作品的当下感知和情感体验为首要前提;其二,把艺术作品纳入由艺术家、欣赏者、及其各自所属的社会历史语境共同组成的整体框架中综合考量;其三,在道德、认知、宗教等诸种价值体系的综合平衡中力求实现审美价值的最大化。

关键词: 艺术, 恰当审美, 历史语境, 沃尔顿

Abstract: Kendall Walton argues that it is not appropriate to practice aesthetic judgment on works of art simply by what could be perceived in the art works, and "appropriate aesthetic appreciation" should rely on (some) facts about the "correct category" and the origins of art works. The paper maintains that his theorization of "appropriate aesthetic appreciation" is actual not appropriate enough. On the one hand, the so called "correct category" has problems that prevent it from performing its critical function; on the other hand, the origins of art works may be of essential importance in art criticism, but they're not sufficient conditions. This paper contends that appropriate aesthetic judgment can be appropriate when it follows three principles. First, its first principle should be the contemporary perception and emotional experience of the art works. Second, art works should be viewed in the general framework of artists and appreciators as well as the socio-historical context they belong to. Third, the maximization of aesthetic value should be realized within the balanced value system which covers the fields of morality, recognition and religion, etc.

Key words: art, appropriate aesthetic appreciation, historical context, Kendall Walton