欢迎访问《文艺理论研究》，
文艺理论研究

文艺理论研究 ›› 2014, Vol. 34 ›› Issue (3): 14-20.

• 专题：艺术理论研究 • 上一篇    下一篇

什么是我们的现代艺术理论

李健   

  1. 南京大学人文社会科学高级研究院；南京大学艺术研究院
  • 出版日期:2014-06-25 发布日期:2014-07-06
  • 作者简介:李健，南京大学人文社会科学高级研究院驻院学者，南京大学艺术研究院副教授，主要从事现当代艺术理论、美学与文化研究。

What Is Our Contemporary Art Theory

Li Jian   

  1. the Institute of Advanced Studies in Humanities and Social Sciences, and the Institute of the Arts, Nanjing University (Nanjing 210093, China)
  • Online:2014-06-25 Published:2014-07-06
  • About author:Li Jian is a scholar-in-residence at the Institute of Advanced Studies in Humanities and Social Sciences, and an associate professor at the Institute of the Arts, Nanjing University (Nanjing 210093, China). His research interests cover contemporary art theory, aesthetics and cultural studies.

PDF (PC)

48

摘要： 中国艺术理论从古典向现代形态的转型，是在对传统观念的继承与革新、西方资源的引进与改造、时代语境的关切与回应等多重张力关系结构中进行的。以此为依据，我们一方面可以借“现代性”这一特定概念对中国艺术理论自近代以来的总体内涵及其特征予以把握，另一方面还需要在学科层面对其演进逻辑以及若干微观问题进行必要的分析。对现代艺术理论所进行的上述考察，将帮助我们对艺术学科在中国现时代的发展做出更具历史意识、现实依托和前瞻视野的判断。

关键词: 艺术理论, 张力关系, 现代性, 艺术学科

Abstract: The transformation of Chinese art theory from the classical to the modern takes place within the framework of multiple tensions between such elements as the inheritance and the innovation of traditional ideas, the introduction and reformation of Western resources, and the concerns and responses to the context of the times. The paper proposes that the connotation and features of the art theory in modern and contemporary China may be described with the help of the concept of modernity, as further analyses may be done at the disciplinary level on the logic of its development and on some micro issues. These examinations may help to form more historically sensible and reality based prospective judgment on the discipline of art in contemporary China.

Key words: art theory, tension structure, modernity, art as a discipline