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文艺理论研究 ›› 2023, Vol. 43 ›› Issue (1): 188-195.

• 古代文论与古代文学的理论研究 • 上一篇    下一篇

以艺见道与“雅人深致”——沈曾植书画文学要义

张毅   

  1. 南开大学文学院
  • 出版日期:2023-03-05 发布日期:2023-03-10
  • 作者简介:张毅,文学博士,南开大学文学院教授,主要从事中国古代文学和文艺思想史研究。
  • 基金资助:
    本文系国家社会科学基金重大项目“中国近世书画文学文献整理和研究”[项目编号:19ZDA275]阶段性成果。

Seeing Dao through Art and “Elegant People's Deep Sense of Beauty”: Shen Zenzhi's Ideas about Literature on Calligraphy and Painting

Zhang Yi   

  1.  School of Literature, Nankai University
  • Online:2023-03-05 Published:2023-03-10
  • About author:Zhang Yi, Ph.D., is a professor in the School of Literature, Nankai University. His research interests include ancient Chinese literature and the history of literary and artistic thought.
  • Supported by:
    This article is supported by the Major Project of the National Social Sciences Fund (19ZDA275).

摘要: 中国社会千年未遇之大变局始于晚清民初,如何在世事板荡中保持一份“雅人深致”,乃当时“同光体”诗人沈曾植念兹在兹的文艺宗旨。他提出的通“三关”之说,所标榜的“雅致”,既是宋诗派的创作取向,又是作者个性意识、学问路径与文化修养的表现,并在以艺见道的书画文学创作中得到了充分彰显。道乃一个国家民族文化精神所系,作为体现作者胸襟、气韵和风度的“雅人深致”,沈增植的书画题咏蕴含着历经沧桑的深沉情感,以及遭遇劫难时士志于道的文化坚守。

关键词: 以艺见道; , 雅致; , 书画; , 沈曾植

Abstract: The Chinese society confronted unprecedented changes in the late Qing and early Republican periods. Maintaining “elegant people's deep sense of beauty” in the upheaval was the purpose of Shen Zengzhi, a poet of the “Tongguang Style”. His theory of “three passes” and “elegance” were not only the creative orientation of the “Song Poetry School”, but also the expression of the author's sense of personality, path of learning and cultural accomplishment. These elements were fully demonstrated in Shen's literature on painting and calligraphy, which saw Dao, the cultural spirit of a nation, through art. As “elegant people's deep sense of beauty” that reflected the author's mind, temperament and demeanor, Shen's inscriptions on painting and calligraphy contained the emotions after the vicissitudes of life and the cultural adherence to Dao during calamities.

Key words: seeing Dao through art; , elegance; , painting and calligraphy; , Shen Zengzhi