欢迎访问《文艺理论研究》，
文艺理论研究

文艺理论研究 ›› 2022, Vol. 42 ›› Issue (4): 219-226.

• 西方文论与美学研究 • 上一篇    

“风格”创新与人工智能时代的新“赝品”——以古德曼的归纳理论为中心

苗思萌   

  1. 上海大学文学院

  • 出版日期:2022-08-25 发布日期:2022-08-26
  • 作者简介:苗思萌，华东师范大学中文系文艺学专业在读博士生，主要从事西方文论与文艺美学研究。
  • 基金资助:

    本文为国家社科基金青年项目：“‘新维特根斯坦学派’日常语言分析美学研究”[项目号：19CZW005]的阶段性成果。

Innovation of “Styles” and New “Forgery” in the Age of Artificial Intelligence: From the Perspective of Nelson Goodman’s Theory of Induction

Miao Simeng   

  1. College of Liberal Arts, Shanghai University

  • Online:2022-08-25 Published:2022-08-26
  • About author:Miao Simeng, Ph.D. , is a post-doctorate researcher at the college of Liberal Arts, Shanghai University. Her academic interests include Western literary theory and aesthetics.
  • Supported by:

    This article is supported by the Youth Project of National Social Sciences Fund (19CZW005).

PDF (PC)

37

摘要：

人工智能对人类智力活动的“侵入”，近年来一直是热议的话题。AI作画的日渐成熟，唤醒了人们对艺术原创性的担忧。这一担忧在历史上已有先例，20世纪的赝品问题一度成为艺术界的重要议题，并见证了多种艺术理论的诞生。本文以古德曼的归纳理论为中心，考察了赝品问题的提出背景及古德曼的解答，力图说明在通往认识论的美学转向中，古德曼是怎样解答风格识别中的休谟难题的，并通过探讨归纳的本性，及其在艺术理论参与构造世界的过程中起到的作用，来解读AI的“风格”模仿与创新机制。

关键词:

"> 古德曼； , 赝品； , 归纳； , 人工智能

Abstract:

The “invasion” of Artificial Intelligence into the field of human intellectual activities has sparked heated discussions in recent years. The growing maturity of AI painting gives rise to people's concern over artistic originality, a concern not without precedent in history. The problem of forgery in the 20th century was once an issue of great concern in the world of art, which witnessed the birth of a variety of artistic theories. Informed by Nelson Goodman's theory of induction, this essay investigates the problem of forgery and Goodman’s argument about it, attempting to show Goodman’s solution to Hume’s problem on the identification of “style” in the epistemological turn of aesthetics. This essay also interprets AI’s mechanisms of imitation and innovation of “styles” by exploring the nature of induction and its role in the worldmaking that involves art theories.

Key words:

 Nelson Goodman, forgery, induction, Artificial Intelligence