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文艺理论研究

文艺理论研究 ›› 2022, Vol. 42 ›› Issue (4): 211-218.

• 西方文论与美学研究 • 上一篇    下一篇

从非-哲学到艺术-虚构——试论拉吕埃尔的非-美学理论

聂世昌   

  1. 上海大学中文系

  • 出版日期:2022-08-25 发布日期:2022-08-26
  • 作者简介:聂世昌,文艺学博士，上海大学中文系讲师，主要从事西方文论研究。
  • 基金资助:

    本文为国家社科基金青年项目“战后意大利文艺美学思想研究”[项目编号：21CZW061]的阶段性成果。

From Non-philosophy to Art-fiction: An Analysis of Francois Laruelle’s Non-aesthetics

Nie Shichang   

  1. Department of Chinese Language and Literature, Shanghai University

  • Online:2022-08-25 Published:2022-08-26
  • About author:Nie Shichang, Ph.D., is a lecturer at the Department of Chinese Language and Literature, Shanghai University. His research interest includes Western literature theory.
  • Supported by:

    This article is supported by the Youth Project of National Social Sciences Fund (21CZW061).

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摘要：

“非-美学”是法国哲学家弗朗索瓦·拉吕埃尔在其“非-哲学”理论基础上发展而来的，并对当今美学领域中所出现的哲学与艺术冲突所做出的回应。通过将哲学引入到自然科学，尤其是物理学的框架体系内，拉吕埃尔试图从根本上瓦解哲学利用所谓的“哲学决定”而支配其他学科的基础，消除哲学对艺术负面影响，使其能够与艺术在平等的地位上实现与后者的“叠加”或融合。对拉吕埃尔而言，这种叠加与融合的产物与其说是一种新的美学范式，不如说是新的艺术实践类型，即“艺术-虚构”。

关键词:

弗朗索瓦·拉吕埃尔, 非-哲学, 非-美学, 艺术-虚构

Abstract:

“Non-aesthetics” put forward by Francois Laruelle on the basis of “non-philosophy” as a response to the conflict between philosophy and art in contemporary aesthetics. By introducing philosophy into the framework of natural science, especially physics, Laruelle attempts to challenge “philosophical decision” – the basis on which philosophy dominates other disciplines – in order to eliminate its negative influence on art. In this sense, philosophy can be “superimposed” or fused with art equally. For Laruelle, the production of this superposition and fusion is not so much an aesthetic paradigm as a new type of artistic practice, that is, “art-fiction”.

Key words:

Francois Laruelle, non-philosophy, non-aesthetics; art-fiction; photo-fiction