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文艺理论研究 ›› 2022, Vol. 42 ›› Issue (1): 165-171.

• 专题:法国理论研究 • 上一篇    下一篇

哀悼、幻视与流泻:乔治·巴塔耶的泪水书写

尉光吉   

  1. 南京大学艺术学院
  • 出版日期:2022-02-22 发布日期:2022-02-22
  • 作者简介:尉光吉,哲学博士,南京大学艺术学院助理研究员,主要从事20世纪法国哲学、西方文艺理论和艺术史研究。
  • 基金资助:
    教育部人文社会科学研究青年基金项目“布朗肖的文学批评研究”[项目编号: 20YJC752020]阶段性成果

Mourning, Vision, and Effusion: Georges Bataille’s Writing of Tears

Wei Guangji   

  1. School of Arts, Nanjing University
  • Online:2022-02-22 Published:2022-02-22
  • About author:Wei Guangji, Ph. D., is an assistant researcher at the School of Arts, Nanjing University. His research interests include twentiethcentury French philosophy, Western literary theory, and art history.
  • Supported by:
    the Youth Project of the Humanities and Social Sciences Foundation of Ministry of Education (20YJC752020)

摘要: 泪水的体验贯穿着法国作家乔治·巴塔耶的作品。在其最后的图册《爱神的眼泪》里,泪水体现了情色和死亡的同一性,并把激情的表达赋予了哀悼。而在第一部小说《眼睛的故事》里,泪水既是欲望叙事的基本元素,也是幻视生成的根本动力。根据巴塔耶的社会学研究,泪水还和笑声一起揭示了社会结构的神圣内核。作为非知的重要形式,泪水反映了人的至尊价值,它代表着存在的流泻,以及存在向外展露的维度。由此,泪水成了存在的边界,以及思想和书写的边界。巴塔耶总在泪水的边界上书写。

关键词:  , 巴塔耶; 泪水; 至尊性; 界限; 书写

Abstract: The experience of tears runs through the oeuvre of Georges Bataille. In his last book The Tears of Eros, tears become the embodied sameness between eroticism and death, and lend the expression of passion into mourning. Tears in his first novel The Story of the Eye are the basic element of the narrative of desire and the fundamental impulsion to produce vision. Bataille’s sociological studies maintain that tears, together with laughter, reveal the sacred core of the social structure. As an important form of the unknowing, tears reflect the sovereign value of human being. It represents the effusion of being and the dimension of its exhibition toward the outside. Thus, tears become the limit of being, and the limit between thinking and writing. Bataille always writes at the limit of tears.

Key words: Georges Bataille, tears, sovereignty, limit, writing