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文艺理论研究

文艺理论研究 ›› 2021, Vol. 41 ›› Issue (6): 93-101.

• 古代文论与古代文学的理论研究 • 上一篇    下一篇

永宣艺术场域与台阁文学书写

袁宪泼   

  1. 天津师范大学文学院
  • 出版日期:2021-11-25 发布日期:2021-12-16
  • 作者简介:袁宪泼，文学博士，天津师范大学文学院副教授，主要从事中国文艺思想史、中国近古文学与艺术研究。
  • 基金资助:
    国家社会科学基金重大项目“中国近世书画文学文献整理和研究”［项目编号： 19ZDA275］

The Artistic Field during the Yongle-Xuande Reign the Ming Dynasty and the Writing of the Ministerial Style

Yuan Xianpo   

  1. School of Chinese Language and Literature, Tianjin Normal University
  • Online:2021-11-25 Published:2021-12-16
  • About author:Yuan Xianpo, Ph. D., is an associate professor at the School of Chinese Language and Literature, Tianjin Normal University. His research interests include the history of Chinese literary and artistic thought, and medieval and late imperial Chinese literature and art.
  • Supported by:
    Major Project of the National Social Science Fund of China (19ZDA275）

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摘要： 明前期永宣时期兴起的台阁体，不仅是诗文概念，还属于书画概念，因而反映出时代整体的审美旨趣。由于院体画和台阁体书法的提倡，台阁文人通过会通诗文、书法和绘画的文艺制作，构建出以书画为载体的山林空间，以区别于庙堂之上的政治空间，他们在休沐闲暇之时畅神适意，恣意享受山林闲适之趣。馆阁文人的书画题咏借用图画比德模式，鸣盛颂美，求得性情之正，实现山林与台阁、个体与家国的和谐统一，改变了宋元以来形成的山林文学书写模式，从而建立了属于有明新王朝的盛世文学。

关键词: 艺术场域, 山林文学, 比德, 性情之正

Abstract:

The ministerial style (taigeti), which emerged in the early Ming period (1403-1435), is not only a concept of writing, but also a concept of painting and calligraphy, reflecting the prevailing aesthetics of the time. Due to the promotion of palace-style painting and ministerial style calligraphy, high officials interwove a space of landscape with calligraphy and painting as carriers, through literary and artistic productions of poetry, essay, calligraphy and painting. Distinct from the political space at the imperial court, this is a space for relaxation in their leisure time, when they had freedom to enjoy the leisure interest of mountain and forest. In the inscriptions on their paintings, these officials established analogic associations between natural images and morality, in order to pursue the integrity of temperament through praising the prosperous age and natural beauty. The ministerial style embodied the harmony and unity of the nature and the imperial court, and individuals, families and the state. In this way it changed the style of mountain and forest literature that formed in the Song and Yuan dynasties, establishing a new literary style in line with the prosperous Ming period.

Key words:

artistic field,  , mountain and forest literature,  , establish analogic associations between natural images and morality,  , integrity of temperament