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文艺理论研究

文艺理论研究 ›› 2021, Vol. 41 ›› Issue (1): 143-149.

• 现当代文论研究 • 上一篇    下一篇

凝视理论视域下的社会主义现实主义艺术——从电影学到图像学的考察

陆颖   

  1. 浙江师范大学文化创意与传播学院
  • 出版日期:2021-01-25 发布日期:2021-01-31
  • 作者简介:陆颖，文学博士，浙江师范大学文化创意与传播学院讲师，主要从事图像学研究。

Socialist-Realist Art from the Perspective of Gaze Theory: An Inquiry from Filmology to Iconology

Lu Ying   

  1. School of Creative Culture and Communication, Zhejiang Normal University
  • Online:2021-01-25 Published:2021-01-31
  • About author:Lu Ying, Ph.D., is a lecturer in the School of Creative Culture and Communication, Zhejiang Normal University, with research focus on iconography.

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摘要： “社会主义现实主义凝视”将作为电影镜头语言的“凝视”与社会主义现实主义文艺思想相结合，意指中国革命现实主义电影在拍摄英雄人物时使用的特定视觉传达技法。该凝视具有视线的共享性与不可见性，在交互主体作用中实现了向拉康凝视理论的回归。其生成机制与视觉效用体现为：溢出镜头的画面界限；“缝合”想象空间与影像空间；使意识形态真实完成从角色到观众的衔接。作为图像的述行性行为，该凝视引发并强化了观看者与英雄人物的共情。

关键词: 凝视, 社会主义现实主义, 图像行为, 视觉性

Abstract: “Socialist-realist gaze,” linking gaze and socialist realist literary thoughts, refers to the visual communication of heroic figures on the external points off the screen in shooting Chinese revolutionary films. Such gaze, being invisible and with shared sight, returns to Jacques Lacan’s gaze theory because of its intersubjective functioning. During its generation and function, socialist-realist gaze breaks the limitation of pictorial space, extends the boundary of screen as a “quilting point,” and connects characters and audiences with ideological truth. As a performative image behavior, it arouses and strengthens the empathy between the viewers and the hero.

Key words: gaze, socialist-realism, image behavior, visuality