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文艺理论研究

文艺理论研究 ›› 2021, Vol. 41 ›› Issue (1): 73-80.

• 古代文论与古代文学的理论研究 • 上一篇    下一篇

“枯”趣味的宋型审美与诗画艺术论略

董赟   

  1. 中山大学博雅学院
  • 出版日期:2021-01-25 发布日期:2021-01-31
  • 作者简介:董赟，文学博士，中山大学博雅学院博士后兼特聘副研究员，主要从事中国古代文学、艺术理论研究。
  • 基金资助:
    教育部人文社会科学研究青年基金项目“诗画互文： 宋元‘荒寒’艺境的生成与嬗变研究”[项目编号： 20YJCZH022]、中山大学中央高校基本科研业务费专项资金资助项目[项目编号： 20wkpy01]

The Aesthetics of Witheredness and Artistic Creations in the Song Dynasty

Dong Yun   

  1. Boya (Liberal Arts) College, Sun Yat-sen University
  • Online:2021-01-25 Published:2021-01-31
  • About author:Dong Yun, Ph.D., is a postdoctoral researcher and distinguished associate research fellow at the Boya (Liberal Arts) College, Sun Yat-sen University. Her research interests include ancient Chinese literature and art theory.
  • Supported by:
    Youth Project of the Humanities and Social Sciences Foundation of Ministry of Education (20YJCZH022) and the Fundamental Research Fund for Central Universities, SYSU (20wkpy01)

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摘要： 在宋代，“枯”成为特定美的表征，枯物被当作一种审美对象，这种枯趣味包括寒瘦、疏淡、老怪等多种美感形态，是宋型审美尚健好古风格的集中体现。在文学创作领域形成枯物世界的吟咏，绘画方面则主要表现为枯木等题材在文人画中的风行，构成独特的“枯”世界，具有深邃多元的内涵与象征意义。通过诗画等艺术手段，以苏轼为代表的宋人集体创造出枯树、老梅、瘦竹等系列意象，揭示枯物的形态美与精神内涵，并以之观照内心世界，表现出明确的反花卉审美倾向与文人审美特质。

关键词: 枯, 审美, 宋诗, 文人画

Abstract: In the Song dynasty, witheredness (ku) came to be the representation of a particular type of beauty, with the withered objects regarded as the object of aesthetic interest. The taste for witheredness manifests in various forms such as cold and thin, sparse and plain, old and strange, epitomizing the ancient-emulating aesthetics of the Song dynasty. Besides literary texts highlighting the withered objects, literati paintings constitute a unique world characterized by witheredness popularized with examples of withered objects such as dead trees, aged plum trees, and thin bamboos. The aesthetics for the withered reflects the taste and spiritual pursuit of the literati which shows their temperaments and tendency of opposing the gaudy and mundane.

Key words: witheredness, aesthetic, Song-dynasty poetry, literati painting