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文艺理论研究

文艺理论研究 ›› 2023, Vol. 43 ›› Issue (1): 88-96.

• 西方文论研究 • 上一篇    下一篇

德勒兹“影像自身”的真实性策略

聂欣如   

  1. 华东师范大学传播学院
  • 出版日期:2023-03-05 发布日期:2023-03-10
  • 作者简介:聂欣如，视听媒介硕士，华东师范大学传播学院教授，主要从事电影理论、纪录片和动画片的研究。

Gilles Deleuze's Reality Tactics of “Image-in-itself”

Nie Xinru   

  1. School of Communication， East China Normal University
  • Online:2023-03-05 Published:2023-03-10
  • About author:Nie Xinru， is a professor in the School of Communication， East China Normal University. His research interests include film theory， documentary and animation.

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摘要： 德勒兹在他的电影理论中提出了一个“影像自身”的概念，这一概念立足于事物初始源起的状态，渐次生成发展成为“影像”，其真实性蕴含于这一过程之中。尽管真实性没有在电影理论中被正面论述，但却可以在德勒兹有关“生成”的理论中找到，并且，真实性的基因同样存在于德勒兹对于电影的分类之中，德勒兹将其作为电影分类的原则，因而成为世界上独一无二的电影分类。

关键词: 电影； , 影像自身； , 德勒兹

Abstract:  Gilles Deleuze introduces the concept of “image-in-itself” in his film theories. Based on the origin of things， this concept gradually develops into “image”， and its reality is embedded in this process. Although “reality” is not explicitly discussed in film theories， it can be found in Deleuze's theory related to “generating”， and its elements exist in Deleuze's classification of films. Deleuze uses reality as the principle of film classification， establishing a unique way of film classification.

Key words:  film； , image-in-itself； , Gilles Deleuze