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文艺理论研究

文艺理论研究 ›› 2022, Vol. 42 ›› Issue (4): 32-42.

• 文化研究 • 上一篇    下一篇

情动理论视角下的电影暴力美学

盖琪；林贵海   

  1. 广州大学人文学院

  • 出版日期:2022-08-25 发布日期:2022-08-26
  • 作者简介:盖琪，文学博士，广州大学人文学院/当代文化研究中心教授，主要从事媒介文化研究、影视叙事研究。林贵海，广州大学人文学院戏剧影视学专业在读硕士生，主要从事电影研究。
  • 基金资助:

    本文系国家社科基金重大项目“‘微时代’文艺批评研究”[项目编号：19ZD02]阶段性成果。

The Aesthetics of Cinematic Violence and the Mechanism of Affect Theory

Gai Qi; Lin Gaihai   

  1. College of Humanities and Contemporary Culture Study Centre, Guangzhou University

  • Online:2022-08-25 Published:2022-08-26
  • About author:Gai Qi, Ph.D., is a professor in the College of Humanities and Contemporary Culture Study Centre, Guangzhou University. Her area of academic specialty includes media culture study and study of film and television narratives. Lin Guihai is a postgraduate at the College of Humanities, Guangzhou University.
  • Supported by:

     This article is supported by the Major Project of the National Social Sciences Foundation of China (19ZD02).

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摘要：

电影是典型的“情动”艺术。从情动理论的视角来看，电影暴力美学起源于后工业化的“电影身体”对于情动的强烈诉求——它旨在通过创造形式化的暴力影像，来激发观众瞬时性的情动反应，以此弥补后工业时代传统宏大叙事和个体化主人公在情动能力上的显著衰落。电影暴力美学的范式框架下主要包含了两种修辞路径：诗意路径与残暴路径。近年来，中国内地的电影暴力美学显示出路径转向的趋势：本土化的“残暴叙事”开始浮现，本土化的“情动政治”机制也开始形成。

关键词:

情动理论, 电影暴力美学, 电影身体, 诗意路径, 残暴路径, 情动政治

Abstract:

Film is a typical affective art. From the perspective of affect theory, the aesthetics of cinematic violence originates from postindustrial “cinematic body” which has a strong propensity for affect. Such aesthetics aims at creating formalized violent images to activate viewers’ immediate affective reactions, thus compensating for the declining affectivity of traditional grandiose narratives and apathetic individuals. The aesthetics of cinematic violence can be explored in the following two aspects: the poetic and the brutal. In recent years, mainland China has witnessed the rise of “brutal narrative” and the construction of localized “affective politics”, which imply the turn of Chinese cinema to postindustrial aesthetics of violence.

Key words:

 affect theory, aesthetics of cinematic violence, cinematic body, the poetic; the brutal, affective politics