关键词: 罗伊斯·福瑟克, 《花间集》, 现代审美症候, 结构对等翻译, 译介诗学

Abstract: In the translation and dissemination of classical Chinese poetry in the Englishspeaking world, Among the Flowers: The Huachien chi translated by Lois Fusek has great value for interpretation and inspiration on poetics. From the perspective of interpretation, Fusek starts from the general aesthetic consciousness and the concept of modernity, giving modern experience and creative interpretation to Among the Flowers. She thinks that Among the Flowers has characteristics such as realistic transcendence, textual selfdiscipline， artificial skill, creative imagination, and ambiguous theme, which are in line with the modern aesthetic symptoms rising in the late nineteenth century. In terms of translation poetics, Lois Fusek sheds light on crosslinguistic translation and crosscultural poetics to emphasize the structural arrangement and image arrangement of Among the Flowers, the poetic dimension of Tz’u poetry and the relationship between its form and theme. She uses “translation of structural equivalence” to endow the structure of Tz’u poetry with aesthetic significance and poetic value. Between the modern aesthetic symptoms in Among the Flowers and the translation poetics of structural equivalence, there is both correspondence and contrast. It not only represents the “selfimagination” and “Chinaimagination” rooted in the subjectivity and modern values of the West, but also shows a variation of the interaction between the modern value and national appeal.

Key words: Lois Fusek; Among the Flowers: The Huachien chi, modern aesthetic symptom, translation of structural equivalence, translation poetics