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文艺理论研究 ›› 2022, Vol. 42 ›› Issue (1): 218-226.

• 古代文论与古代文学的理论研究 • 上一篇    

转向与超越:北宋诗学语言观念下的“换骨夺胎”

方舒雅   

  1. 南京大学文学院
  • 出版日期:2022-02-22 发布日期:2022-02-22
  • 作者简介:方舒雅,南京大学文学院古代文学专业在读博士,主要从事唐宋诗学研究。

Turn and Transcendence: The Language Perception of “Changing the Bones and Snatching the Embryo” in Northern Song

Dynasty Poetics

Fang Shuya   

  1.  School of Liberal Arts, Nanjing University
  • Online:2022-02-22 Published:2022-02-22
  • About author:Fang Shuya is a Ph.D. candidate at the School of Liberal Arts, Nanjing University. Her research interests include the poetics of the Tang and Song dynasties.

摘要: “换骨夺胎”作为北宋诗学语言学转向下的写作策略,相比梅尧臣“意新语工”式的创作追求,“换骨”“夺胎”二法淡化对“意新”的自创,关注诗歌语言本体。以“造语”与“形容”的表达艺术,或改变诗句的语言风格,或增强对诗意的修饰,最终实现诗句由“言”及“意”的提升。而句法层面之超越,既是“换骨夺胎”生成时的内在规范,亦成为接受语境中绝大多数宋人认可此诗法的内在标准。由此,从北宋诗学语言观念的视域观照“换骨夺胎”,呈现出不同于传统解释“意”或“语”因袭的新貌,这同时构成回归历史语境探究二法的意义所在。

关键词: 北宋诗学, 换骨, 夺胎, 语言

Abstract:

The term Huangu duotai (literally, “changing the bones and snatching the embryo) refers to a writing strategy at the turn of poetry language during the Northern Song dynasty. Compared with Mei Yaochen’s (1002-1060) pursuit of yixin yugong (lit. original meaning and measured language), huangu and duotai downplay the originality of meaning and highlight poetry language itself. The artistic techniques of language making and describing the content aim at changing the language style or enhancing the poeticness, and eventually the composition of poetry would be improved in terms of both dimensions of language and meaning. The advancement on the syntactic level is both the internal norms resulted from huangu duotai and the internal standard accepted by most Songdynasty poets. Therefore, from the perspective of the language perception of Northern Song poetics, the concept of huangu duotai departs from conventional interpretations of language and meaning, hence the significance of returning to the historical context to explore them.

Key words: Northern Song dynasty poetics, changing the bones, snatching the embryo, language