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文艺理论研究

文艺理论研究 ›› 2021, Vol. 41 ›› Issue (6): 112-120.

• 专题：西方马克思主义文论研究 • 上一篇    下一篇

“后结构主义之后”的图像理论——论朗西埃对巴特摄影理论的重构

吴天天   

  1. 湖北大学文学院
  • 出版日期:2021-11-25 发布日期:2021-12-16
  • 作者简介:吴天天，文学博士，湖北大学文学院副教授，主要从事西方文论与美学研究。
  • 基金资助:
    国家社科基金青年项目“崇高美学的谱系研究”［项目编号： 20CZW002］

After-Poststructuralist Image Theory: Jacques Rancière’s Reconstruction of Roland Barthes’s Photography Theory

Wu Tiantian   

  1. School of Chinese Language and Literature, Hubei University

  • Online:2021-11-25 Published:2021-12-16
  • About author:Wu Tiantian, Ph.D., is an associate professor at the School of Chinese Language and Literature, Hubei University. Her research interests include Western literary theory and aesthetics.
  • Supported by:
    Youth Project of National Social Sciences Foundation (20CZW002)

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摘要： 作为罗兰·巴特在后结构主义阶段创作的摄影理论著作，《明室： 摄影札记》不再像其早期著作《神话修辞术》那样致力于对照片祛魅，而是试图通过提出与展面（studium）相对的刺点（punctum）来突显照片给人带来的情感冲击力。在“后结构主义之后”的思想家雅克·朗西埃看来，巴特的刺点理论对照片进行了赋魅，造成了恋物（fetish）以及一种道成肉身（incarnation）的神学。在重构巴特摄影理论的基础之上，朗西埃建立了自己的图像理论，该图像理论以语图关系为参照并以审美体制为旨归。总体来看，朗西埃在其图像理论中对巴特摄影理论的重构既包含洞见，也包含误读。

关键词: 罗兰·巴特, 雅克·朗西埃, 摄影, 语图关系, 审美体制

Abstract:

Roland Barthes’s photography theory is mainly manifested in his poststructuralist work Camera Lucida: Reflections on Photography. It is not devoted to disenchantment of images as he did in his earlier work Mythologies, but highlights the affective power of images through the proposition of punctum (as a contrast to stadium). In the view of Jacques Rancière, Barthes’s punctum theory enchants images and gives rise to fetish and the theology of incarnation. Rancière reconstructs Barthes’s photography theory based on his own understanding of the aesthetic regime and language-image relationship. This reconstruction provides insights about image theory, but also reveals some misinterpretations of Barthes’s photography theory.

Key words:

Roland Barthes; Jacques Rancière; photography, languageimage relationship; aesthetic regime