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文艺理论研究

文艺理论研究 ›› 2021, Vol. 41 ›› Issue (4): 188-196.

• 艺术理论研究 • 上一篇    下一篇

法国当代摄影观念研究的三大范式

陆一琛   

  1. 苏州大学外国语学院
  • 出版日期:2021-07-25 发布日期:2021-07-18
  • 作者简介:陆一琛，文学博士，苏州大学外国语学院讲师，主要从事当代法国文学、法国文学与视觉艺术比较研究。

Ideas of Photography Studies in France: Reflections on Three Contemporary Paradigms

Lu Yichen   

  1. the School of Foreign Languages, Soochow University
  • Online:2021-07-25 Published:2021-07-18
  • About author:Lu Yichen, Ph.D., is a lecturer at the School of Foreign Languages, Soochow University. Her research interests include contemporary French literature and the interactions between French literature and visual arts.

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摘要： “摄影观念”不同于“摄影”，是作为实践和影像的摄影在其散播和被接受过程中形成的、以陈述话语内在规律性为表征的概念网络。从“摄影”到“摄影观念”实现的不仅仅是概念上的位移和转换，还意味着（历史）分析和书写模式的变迁，尤其是对传统摄影史书写（以摄影技术史和影像艺术史为经典范式）的质询与解构，以及对被正统摄影史边缘化的对象——摄影影像观者的关注。本文力求在弗朗索瓦·布吕内创设的“摄影观念史”的理论框架之下，分析由保罗·爱德华兹、菲利普·杜布瓦和罗兰·巴特提出的三个摄影观念（史）阐释范式，聚焦某些高频概念的出现、变化、转换和复归，描绘构成摄影观念的概念网络，展示支配这些概念的规律性联结，以便建立一种重新思考摄影的方式。

关键词: 摄影观念, 摄影史, 摄影认知范型, 摄影理论

Abstract: The ideas of photography, different from photography, are constituted by a network of concepts that emerges out of its dissemination and reception, and features the regularity of the indicative discourses of photography as a practice and an image. The shift from photography to the concept of photography is not only a change in concepts, but also one in photographic historiography. This shift constantly questions and deconstructs the traditional history of photography, whose models closely follow technical progress or the beautiful images produced by great photographers, emphasizing the spectators/recipients of the photographic image that were marginalized in the mainstream history of photography. Within François Brunet’s theoretical framework of history of the concepts of photography, this article revisits the three cognitive paradigms of photography proposed by Paul Edwards, Philippe Dubois, and Roland Barthes, in order to delineate a network that constitute the concepts of photography and to explore a new way to think about photography.

Key words: ideas of photography, history of photography, cognitive paradigm of photography, photography theories