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文艺理论研究 ›› 2021, Vol. 41 ›› Issue (3): 210-218.

• 古代文论与古代文学的理论研究 • 上一篇    

民国中后期女性词的苏辛词风转向及其词史意义

徐燕婷   

  1. 华东师范大学中文系
  • 出版日期:2021-05-25 发布日期:2021-05-11
  • 作者简介:徐燕婷,文学博士,华东师范大学中文系副教授,主要从事词学、女性文学研究。
  • 基金资助:
    本文为2019年度教育部人文社会科学研究青年基金项目“晚清民国女性词集研究”[项目编号:19YJC751054]阶段性研究成果。

Transformation in Women’s Ci-poetry towards the Su-Xin Style in the Mid-and Late Republican Period and Its Significance in the History of Ci-poetry

Xu Yanting   

  1. School of Chinese Language and Literature, East China Normal University
  • Online:2021-05-25 Published:2021-05-11
  • About author:Xu Yanting, Ph.D., is an associate professor at the School of Chinese Language and Literature, East China Normal University. Her research interests include ci-poetry and women's literature.
  • Supported by:
    Youth Project of Humanities and Social Sciences Foundation of Ministry of Education (19YJC751054)

摘要: 民国中后期女性词的苏辛词风转向非一二个人独力为之,而是以学者型为主体的新变派女词人创作中的一个群体现象。苏辛词风转向发生的根源得益于经历现代教育的女词人,由于受过系统的词学教育,创作中打破了传统纯任性灵的学习填词模式,逐渐形成在一定词学思想指导下的创作实践。苏辛词风转向发生的直接原因是时代剧变带来的对文学社会功能的重视,间接原因则是词风变革之必然,用苏辛词风欲矫正词坛的“梦窗热”。在这次变革中,苏辛词风转向是女词人在一定词学思想指导下有意识主动选择的结果,并在矫正梦窗词风中起到了推波助澜的作用。在创作实践中,她们提倡的是豪放与柔婉互济。民国中后期女性词的苏辛词风转向在助力梦窗词风的清洗、间接挽救词体被淘汰的危机、推动女性词从附庸地位汇入词坛主流、加快推进女性词现代转型等方面皆有着积极的词史意义。

关键词: 女性词, 学者型, 苏辛词风, 词史意义

Abstract: The mid- and late Republican period witnessed a transformation in ci-poetry initiated by a group of female poets, drawing on the style of Su Shi and Xin Qiji (Su-Xin hereafter). This transformation had its origins in the female poets who, due to their experience of modern education and particularly systematic education on ci-poetry, gradually formed a new practice to write under the guidance of certain thought on ci-poetry. The direct reason for this transformation was the emphasis on literature’s social function brought about by the dramatic changes since the late 1920s, and the indirect reason was to use the Su-Xin style to correct the popular style of ci-poetry promoted by Wu Wenying. This transformation, resulting from female poets’ conscious and active choice by combining restrained and unconstrained styles, is of great significance in the history of ci-poetry.

Key words: women’s ci-poetry, scholar type, the Su-Xin style, significance in the history of ci-poetry