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文艺理论研究

文艺理论研究 ›› 2021, Vol. 41 ›› Issue (3): 135-145.

• 艺术理论研究 • 上一篇    下一篇

物性工具与图像艺术

李天   

  1. 厦门大学中文系
  • 出版日期:2021-05-25 发布日期:2021-05-11
  • 作者简介:李天，文学博士，厦门大学中文系讲师，主要从事新媒体艺术和影像美学研究。
  • 基金资助:
    本文系教育部人文社会科学研究青年基金项目“3R视角下视觉艺术的媒介与观念研究”[项目编号：19YJCZH086]和国家社科基金重大项目“新时代中国特色美学基本理论问题研究”[项目编号：18VXK010]阶段性成果。

Physical Instruments and Image Art

Li Tian   

  1. Department of Chinese Language and Literature, Xiamen University
  • Online:2021-05-25 Published:2021-05-11
  • About author:Li Tian, Ph.D., is a lecturer in the Department of Chinese Language and Literature, Xiamen University. Li's research focuses on new media art and visual aesthetics.
  • Supported by:
    Humanity and Social Sciences Youth Foundation of Ministry of Education (19YJCZH086) and the Major Project of National Social Sciences Fund (18VXK010)

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摘要： 从原始壁画到架上绘画，从摄影复制到计算机图像的拟像，在对图像的获取以及图像艺术的创造中，工具作为物性载体，随着技术的进步而不断更新。与工具的进化相对应，图像艺术在生成模式上经历了模仿、复制与生成的阶段。随着绘图软件与移动互联网的普及，模拟、复制与生成三种手段得以在同一平台上融合无间，呈现出前所未有的视觉图景，也带来更为复杂的美学思考。本文以绘图工具的变化为参考系，以技术物与人的关系为分析视角，对物性工具与艺术创造之间的关联做出思考。

关键词: 技术物, 数字化, 工具, 图像艺术

Abstract: From cavern fresco to easel painting, from photograph to computer-generated imagery (CGI), the physical instruments for capturing and creating images have constantly evolved thanks to the progress of technology. Accordingly, the development of image art has undergone three stages, that is, those of simulation, reproduction, and generation. Following the popularization of painting software and the Internet is the seamless integration of simulation, reproduction, and generation, which gives rise to an unprecedented prospect of visuality as well as more profound aesthetic thinking. This article, with a reference to the changes in drawing tools and a focus on the relationship between technical object and human beings, examines the connection of physical instruments to image art.

Key words: technical object, digitization, instruments, image art