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文艺理论研究

文艺理论研究 ›› 2021, Vol. 41 ›› Issue (1): 26-35.

• 专题：域外中国古代文学研究 • 上一篇    下一篇

戏拟之间：日本汉文假传集《器械拟仙传》的叙事张力

卞东波   

  1. 南京大学文学院
  • 出版日期:2021-01-25 发布日期:2021-01-31
  • 作者简介:卞东波，文学博士，南京大学文学院教授，主要从事中国古代文学、域外汉籍研究等。
  • 基金资助:
    国家社科基金重大项目“东亚古代汉文学史”[项目编号：19ZDA260]

Playfulness and Parody: The Narrative Tension in Japanese Collection of Pseudo-Biography Kikai gisenden

Bian Dongbo   

  1. School of Liberal Arts of Nanjing University
  • Online:2021-01-25 Published:2021-01-31
  • About author:Bian Dongbo, Ph.D., is a professor at School of Liberal Arts of Nanjing University. His research interests include Classical Chinese Literature and East Asian Classics in Chinese.
  • Supported by:
    the Major Project of the National Social Sciences Foundation of China (19ZDA260)

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摘要： 《器械拟仙传》是日本现存唯一一部汉文假传集，该书用“以史为戏”和“以物为人”的方式为日常生活中三十五种器物一一作传。这些假传的叙事一方面紧扣传记主人公器物的特性，另一方面又突出传主“归隐”和“升仙”的面向，明显受到中国高士类、神仙类杂传的影响。这些假传深受中国叙事文学的影响，同时也体现了日本文化的元素，用了不少日本的意象和语汇。《器械拟仙传》对于东亚汉文假传文学之研究，假传在东亚之流传，都颇具价值。

关键词: 假传, 器械拟仙传, 戏拟, 叙事

Abstract: “Kikai gisenden”  is the only extant Japanese collection of pseudo-biography written in classical Chinese, which includes biographies for everyday utensils in the light of “viewing history as play”  and ” regarding object as man.”  These pseudo-biographies focus on the features of the utensils in narrative, while pointing to the nature of “recluse”  and “immortality”  of the characters. These aims in the pseudo-biographies both exhibit the influence from the biographical writing of recluses and immortal beings in Chinese tradition and manifest Japanese elements in its narrative through the use of Japanese imageries and words. Kikai gisenden provides an important text for the study of East Asian pseudo-biography literature as well as the circulation of this genre in the Sinographic sphere.

Key words: pseudo-biography; Kikai gisenden, parody, narrative