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文艺理论研究

文艺理论研究 ›› 2020, Vol. 40 ›› Issue (3): 117-123.

• 专题：明代通俗小说研究 • 上一篇    下一篇

《金瓶梅》对《西厢记》的“戏仿”

冯媛媛   

  1. 陕西师范大学文学院
  • 出版日期:2020-05-25 发布日期:2020-06-09
  • 作者简介:冯媛媛，文学博士，陕西师范大学文学院副教授，主要从事元明清文学及中国古代小说研究。

A Parody of The Romance of The West Chamber in The Plum in a Golden Vase

Feng Yuanyuan   

  1. the School of Chinese Language and Literature of Shaanxi Normal University
  • Online:2020-05-25 Published:2020-06-09
  • About author:Feng Yuanyuan, Ph. D., is an associate professor at the School of Chinese Language and Literature of Shaanxi Normal University. Her research focuses on literature of Yuan, Ming and Qing dynasties and ancient Chinese fiction.

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摘要： 在《金瓶梅》的风情叙事中，贯穿着一种对《西厢记》的“戏仿”。这一戏仿不仅表现在人物的言语、行动上，还表现在具体的场景描摹和情节暗袭中。所谓“戏仿”，既是对原文本的降格、脱冕和亵渎，又是一种对才子佳人叙事的颠覆，带有一种“解构主义”和“反讽”的特征。这种戏仿所形成的审美风格，恰好显现出身体的狂欢和禁忌之消失的时代征候。

关键词: 《金瓶梅》, 《西厢记》, 戏仿, 反讽

Abstract: The parody of The West Chamber runs through the narrative of The Plum in the Golden Vase. This parody is demonstrated in the words and actions of characters, as well as in the descriptions of specific scenes and plot. The so-called "parody" is not only a degradation, de-coronation and desecration of the original text, but also a subversion of the narrative of gifted scholars and beauties, with characteristics of "deconstructionism" and "irony". The aesthetic style thus formed shows exactly the real symptoms of the time-carnival of the body and disappearance of taboo.

Key words: The Plum in the Golden Vase, The Western Chamber, parody, irony