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• 西方文论与美学研究 • 上一篇    

无概念的图型化——康德论想象力与知性的协和一致

李伟   

  1. 华东师范大学中文系
  • 出版日期:2019-03-25 发布日期:2019-06-11
  • 作者简介:李伟，文学博士，华东师范大学中文系文艺学专业在读博士生，研究方向为西方美学和文学理论。
  • 基金资助:
     

Schematizing Without a Concept: Kant on the Harmony of Imagination and Understanding

Li Wei #br#   

  1. the Department of Chinese Language and Literature, East China Normal University
  • Online:2019-03-25 Published:2019-06-11
  • About author:Li Wei is a Ph. D. candidate in the Department of Chinese Language and Literature, East China Normal University. His areas of academic specialty are Western aesthetics and literary theory.
  • Supported by:
     

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摘要： 康德关于想象力与知性的协和一致的理论要么会导致一切皆美，要么会无法保证鉴赏判断的普遍性有效性。为了克服这种两难，一种新的思路是遵循康德在《纯粹理性批判·先验辨证论附录》中“理念—图型—对理念的表达”的思路，对文本进行一种非认识的观念论解释。即从分析无概念的图型化着手，主张这种无概念的图型化是无确定概念的图型化，从而对想象力与知性的协和一致进行一种非认识的观念论解释，由此来解决一切皆美的问题。并且根据《判断力批判》§57节内容，从非认识的观念论解释进路出发，重构鉴赏判断的普遍有效性。

关键词: 想象力, 知性, 协和一致, 无概念的图型化

Abstract: Kant's theory of the harmony of imagination and understanding either leads to an inconsequent claim that "everything is beautiful" or fails to ensure the universal validity of judgements of taste. This paper proposes to approach the dilemma by way of Kant's notion of "idea—schema—the-expression-of-the-idea" developed in "Appendix to the Transcendental Dialectic," interpreting the text from a noncognitive-idealist approach. This approach starts with Kant's "schematizing without a concept," claiming that this "schematizing without a concept" is an indeterminate schematization, and thus initiates a noncognitive-idealist interpretation of the harmony of imagination and understanding. This approach, on the one hand, solves the problem that "everything is beautiful"; on the other hand, it enables a reconstruction of the universal validity of judgements of taste from a noncognitive-idealist perspective, as manifested in §57 of Critique of Judgment.

Key words: imagination, understanding, harmony, schematizing without a concept

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