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文艺理论研究

文艺理论研究 ›› 2018, Vol. 38 ›› Issue (4): 112-121.

• 专题：艺术理论研究 • 上一篇    下一篇

论艺术阐释话语中的文学化表达

凌晨光
  

  1. 山东大学文艺美学研究中心
  • 出版日期:2018-09-25 发布日期:2018-10-22
  • 作者简介:凌晨光，文学博士，山东大学文艺美学研究中心教授，主要从事文学理论、艺术批评理论研究。

Literary Expression in the Discourse of Artistic Interpretation

Ling Chen'guang   

  1. Center for Literary and Aesthetics of Shandong University
  • Online:2018-09-25 Published:2018-10-22
  • About author:Ling Chen'guang, Ph.D., is a professor at the Center for Literary and Aesthetics of Shandong University. His academic interests cover literary theory, art theory and criticism.

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摘要： 文学家是艺术阐释话语中文学化表达的主体。他们善于把绘画作品当作视觉寓言去解读，让目光穿透画面表层，直抵深层意蕴。他们像看一出戏一样看一幅画，像讲一个故事一样解释一件艺术作品。借助文学修辞、通过情感投注、发挥符号化想象是他们评论艺术作品的主要途径。心理分析师的自我定位以及测知真相的目标预设则解释了文学家面对艺术品时何以如此的原因。而在符号和意义层面上与画家有意无意的较量，也无疑增加了艺术阐释话语的文学化表达的思想深度和情感力度。

关键词: 艺术阐释, 话语, 文学化表达

Abstract: The writer is the subject of literary expression in the discourse of art interpretation. They interpret paintings as a visual allegory, and penetrate the surface of the canvas to the deep meaning. They look at a picture as if it was a play, and explain an art piece like explaining a story. The main way of commenting on art works is literary rhetoric, emotional projection and semiotic imagination. Their self-positioning is a psychological analyst and their goal is to find the truth. Through the contest with painters at the levels of signs and meaning, the depth and emotional intensity of the literary expression of their artistic interpretation discourse have been enhanced.

Key words: artistic interpretation, discourse, literary expression