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文艺理论研究

文艺理论研究 ›› 2015, Vol. 35 ›› Issue (3): 156-162.

• 西方文论与美学研究 • 上一篇    下一篇

论视觉再现与沃尔海姆的观者之看

殷曼楟
  

  1. 南京大学哲学系
  • 出版日期:2015-05-25 发布日期:2015-07-10
  • 作者简介:殷曼楟，文学博士，南京大学哲学系美学副教授，研究方向为现代美学、分析美学、文化研究。
  • 基金资助:
    本文是教育部哲学社会科学研究重大课题攻关项目“当代中国社会转型中的视觉文化研究”[项目编号：12JZD019]与中央高校基本科研业务费专项资金资助项目“沃尔海姆视觉再现理论研究”[项目编号：2062014262]的阶段性成果。

On Visual Representation and Richard Wollheim's Concept of Spectators' Seeing

Yin Manting
  

  1. the Philosophy Department, Nanjing University (Nanjing 210093, China)
  • Online:2015-05-25 Published:2015-07-10
  • About author:Yin Manting is the associate professor of the Philosophy Department, Nanjing University (Nanjing 210093, China). Her research interests include Modern Aesthetics, Visual Theory, Analytic Aesthetics and Cultural Studies.

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摘要： Representation在我国有“再现”与“表征”两种译法，前者基于直接的、直观的而又基础的知觉经验，后者则强调其社会性，意味着对知识体系、社会体制及意义系统的祛魅及解构。本文在此语境下讨论了当代“视觉再现”问题所具有的新意义，即不论是对直观感官经验可能性的讨论，还是对文化体系预先规定视觉经验这一现象的洞察，都渗透进当代对视知觉本身的重新考察之中。该问题由贡布里希提出，并在沃尔海姆侧重于观者之看的视觉再现理论中得到了极大的推进。这一理论发展不仅是当下视觉研究的一个重要组成部分，具体地说，它也为在后现代语境下反思视觉经验的可交流性提供了可能。

关键词: 视觉再现, 视知觉, 贡布里希, 沃尔海姆

Abstract: The term "representation" has been translated into two Chinese phrases "zaixian” and "biaozheng." The former refers to the direct and intuitive visual perception, while the latter focuses on the social factors which deconstruct the knowledge systems, social institutions and meaning systems. Under this context, this paper discusses the value of visual representation. The paper observes that the contemporary studies on visual perception per se accept both the validity of intuitive perceptual experience and the predetermination of visual experience by cultural systems. First put forward by Ernst Gombrich, this question was advanced by Richard Wollheim through his discourses on the spectators' seeing which provided the possibility of visual communication based on visual experiences in postmodern period.

Key words: isual representation, visual perception, Ernst Gombrich, Richard Wollheim