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文艺理论研究

文艺理论研究 ›› 2013, Vol. 33 ›› Issue (4): 150-158.

• 古代文论与古代文学的理论研究 • 上一篇    下一篇

论唐诗自注与情蕴的关系

魏娜   

  1. 新疆师范大学文学院
  • 出版日期:2013-07-25 发布日期:2013-08-29
  • 作者简介:魏娜，新疆师范大学文学院讲师，文学博士，主要从事唐代诗歌研究。
  • 基金资助:

    本文为魏娜主持的教育部人文社科基金青年项“唐代诗歌自注研究”（12XJJC751002）成果之一。

On the Relationship between Self-Annotations and the Lyrical Implications in the Tang-Dynasty Poetry

Wei Na   

  1. the Department of Chinese, Xinjiang Normal University
  • Online:2013-07-25 Published:2013-08-29
  • About author:Wei Na, Ph.D., is a lecturer at the Department of Chinese, Xinjiang Normal University, Urumqi. Her main research interest is the poetry of Tang-Dynasty.

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摘要： 自注是唐诗史上一个重要而普遍的现象。作为诗歌表达的辅助手段，自注与诗歌的内在情蕴有着复杂的关系。唐诗自注发展的阶段性差异，也引起自注与诗情关系的动态变化：由初唐至大历时期的疏远，到中唐时期的交融，直至晚唐时期在维续中走向萎缩。这种动态轨迹的实质，在于自注围绕着诗歌情蕴而进行离心或向心的游移。自注与诗情关系的揭示，对我们重新审视诗歌自注乃至从更为广远的意义上理解唐代诗歌的发展演变，具有一定的启示意义。

关键词: 唐诗自注, 诗歌情蕴, 背景注, 意义注

Abstract: Self-annotation is an important and a popular phenomenon in the history of the Tang-Dynasty poetry, and it creates a complex relationship with the inner lyrical implications of poetry. Different modes of self-annotations in different developmental phases result in different relationships between self-annotations and poetic sentiments. The relation evolves from estrangement during early Tang and Dali Reign, to integration in Middle Tang and to the final recession in the Late Tang. This evolution shows that self-annotations follow a trajectory around lyrical implication of the poetry with a centrifugal or centripetal movement. The paper concludes that the mapping of the relationship between self-annotations and the lyrical implications in the poetry may cast new light on understanding the evolution of Tang-Dynasty poetry．

Key words: poetry self-annotation, lyrical implications, background annotation, intention annotation