Welcome to Theoretical Studies in Literature and Art,

Theoretical Studies in Literature and Art ›› 2018, Vol. 38 ›› Issue (3): 129-140.

• Studies in Western Literary Theory and Aesthetics • Previous Articles     Next Articles

New Evidence to Some Issues of the Linchuan School of Drama in the Ming Dynasty: On the basis of the Historical Facts of Tang Xianzu's Associating with His Fellow Countrymen

Chen Zhiyong   

  1. non-material Chinese cultural heritage research center of Sun Yat-sen University
  • Online:2018-05-25 Published:2018-10-19
  • About author:Chen Zhiyong, Ph.D., is associate professor of non-material Chinese cultural heritage research center of Sun Yat-sen University. His major academic interest is the history of Chinese drama.
  • Supported by:
    Major Project of the National Social Sciences Fund (No. 10&ZD105)

Abstract: In the Ming Dynasty, Linchuan, in addition to Suzhou, Nanjing, and Hangzhou, is another important center of drama where Tang Xianzu is the core. The center formed around a family with remote village communities and the members include Xie Tingliang, Shuai Ji, Wu Shizhi, Zeng Ruhai, Zheng Zhiwen and Xu Fenpeng. These writers have different degree of social contact with Tang Xianzu, and tend to have similar creation and thought. It is reasonable to consider the Linchuan drama group during the period of the late Ming dynasty as an independent genre of drama. More importantly, to explore the activities of these dramatists from the perspectives of dramatic ecology and literary geography is of special significance for remapping these dramatists' genealogy and geographical affiliation and therefore for revaluating Tang's achievement and status in history of drama.

Key words: Tang Xianzu, Linchuan School, Drama in the late Ming Dynasty, genealogy of dramatists