Welcome to Theoretical Studies in Literature and Art,

Theoretical Studies in Literature and Art ›› 2013, Vol. 33 ›› Issue (2): 173-177.

• Comparative Studies of Literary Theory • Previous Articles     Next Articles

Chinese Images in English Poetry: A Comparative Reading between Literary Fictionalization and Western Consciousness

Zeng Fanjian, Liu Hanbo   

  1. Jiangxi University of Science and Technology Gannan Teacher's College
  • Online:2013-03-25 Published:2013-05-01
  • About author:Zeng Fanjian is an associate professor at Jiangxi University of Science and Technology (Ganzhou 341000, Jiangxi, China) with research interests in cross culture and poetry study. Liu Hanbo, Ph.D., is an associate professor at Gannan Teacher's College (Ganzhou 341000, Jiangxi, China) with research interests in literature and art.

Abstract: English poetry has a longstanding tradition in creating images about China. The images, from the perspective of literary anthropology by Wolfgang Iser, cannot be freed from interrelated unity of opposites between fictionalization, imagination and facts. While fictionalization and imagination are essential to poetry, their foundation and destination have to be the facts about China and the subjectivity of the Western. If native Chinese poetics is applied into a comparative reading of the images of China in English poetry, especially by focusing on the subject-object relationship shown in literary fictionalization and the Western consciousness through an empirical study based on linguistic data in the poetry, the essential features of the issues can be exposed.

Key words: English poetry, images of China, literary fictionalization, imagination, Western consciousness, comparative reading