Welcome to Theoretical Studies in Literature and Art,

Theoretical Studies in Literature and Art ›› 2024, Vol. 44 ›› Issue (1): 157-164.

• Narrative and Semiotic Studies • Previous Articles     Next Articles

Metalepsis Narrative from the Perspective of Possible Worlds Theory

Qiu Bei   

  • Online:2024-01-25 Published:2024-03-07
  • About author:Qiu Bei, Ph. D., is an associate professor in the School of Foreign Languages, Shenzhen Technology University. Her research interests include narratology and literary theory.
  • Supported by:
    Guangdong Philosophy and Social Science Foundation (GD23HWW02), and Startup Project for Newly Recruited High-level and Advanced Talents of Shenzhen Technology University (GDRC202216).

Abstract: As a special narrative phenomenon, metalepsis refers to the transference of the characters, plots, settings, etc. from one fictional narrative world to another, and can be categorized into vertical metalepsis and horizontal metalepsis. With the help of the two core concepts of “transword identity” and “counterpart” in the theory of possible worlds, metalepsis narrative can be subdivided into two types: vertical metalepsis and horizontal metalepsis, in which vertical metalepsis narrative can be subdivided into descending metalepsis and ascending metalepsis, and horizontal metalepsis can be subdivided into identical text horizontal metalepsis and cross-text horizontal metalepsis. By using the method of possible world theory to systematically classify metalepsis narratives, we can examine some postmodern literary phenomena such as meta-fiction, parallel world, derivation, parody, and misappropriation, and explore their effects from a new perspective.

Key words: vertical metalepsis, horizontal metalepsis, possible worlds theory, trans-world identity, counterpart theory