The Genealogical Continuation of the Aesthetic of Literature and Art and Its External Forces and Internal Causes

Abstract

Abstract: This article presents the genealogical continuation of the connotation of the “aesthetic of literature and art”, which began with the aesthetic of literature and art, and then expanded to include cultural aesthetics, natural/ecological aesthetics and finally became art aesthetics. It describes the historical manifestations of each node, highlighting the internal mechanisms of each point. The external forces propelling the continuation of the aesthetic of literature and art lineage are analyzed from various aspects such as the call of the spirit of the times, the enhancement of the education system, the needs of professional teaching and talent cultivation, the inspiration from the mutual exchange of Chinese and Western cultures, and the pursuit of localization. The intrinsic factors sustaining the continuation of the aesthetic of literature and art lineage are revealed through arguments on its origins, the forms of transformation, historical carriers, core forces, and internal essence. Finally, positive expectations are expressed for the broad prospects of the continuation of the aesthetic of literature and art lineage.

Key words: the aesthetic of literature and art, genealogy, continuation, external force, internal cause

Yao Wenfang. The Genealogical Continuation of the Aesthetic of Literature and Art and Its External Forces and Internal Causes[J]. Theoretical Studies in Literature and Art, 2024, 44(1): 25-35.

References

《汉语大词典》,汉语大词典编纂处编。上海:上海辞书出版社,2011年。
[Comprehensive Chinese Word Dictionary. Eds. Editorial Board of Comprehensive Chinese Word Dictionary. Shanghai: Shanghai Lexicographical Publishing House, 2011.]
杜书瀛:《文艺美学的教父》,《美的追寻——胡经之学术生涯》,深圳大学文学院编。北京:北京大学出版社,2003年。39—48。
[Du, Shuying. “The Godfather of Literary and Artistic Aesthetics.” Pursuit of Beauty: The Academic Career of Hu Jingzhi. Eds. School of Chinese Language and Literature of Shenzhen University. Beijing: Peking University Press, 2003.39-48.]
米歇尔·福柯:《尼采、谱系学、历史》,《福柯集》,杜小真编选。上海:上海远东出版社,2003年。146—165。
[Foucault, Michel. “Nietzsche, Genealogy, History.” Collected Works of Michel Foucault. Ed. Du Xiaozhen. Shanghai: Shanghai Far East Publishing House, 2003.146-165.]
胡经之:《文艺美学》。北京:北京大学出版社,1999年。
[Hu, Jingzhi. Literary and Artistic Aesthetics. Beijing: Peking University Press, 1999.]
——:《文艺美学及其他》,《美学向导》。北京:北京大学出版社,1982年。26—44。
[---. “Literary and Artistic Aesthetics and Others.” An Introduction to Aesthetics. Beijing: Peking University Press, 1982.26-44.]
——:《文化美学》,《胡经之文集》,第4卷。深圳:海天出版社,2015年。
[---. Cultural Aesthetics. Collected Works of Hu Jingzhi. Vol.4. Shenzhen: Haitian Publishing House, 2015.]
托马斯·库恩:《结构之后的路》,邱慧译。北京:北京大学出版社,2012年。
[Kuhn, Thomas. The Road Since Structure. Trans. Qiu Hui. Beijing: Peking University Press, 2012.]
李长之:《〈文学评论〉发刊词》,《李长之文集》,第8卷。石家庄:河北教育出版社,2006年。277。
[Li, Changzhi. “Foreword to Literary Review.” Collected Works of Li Changzhi. Vol.8. Shijiazhuang: Hebei Education Publishing House, 2006.277.]
李诗男:《文艺美学应时进——文艺美学家胡经之专访》,《中国文艺评论》3(2016):117—128。
[Li, Shinan. “Literary and Artistic Aesthetics Should Keep Pace with Times: An Interview with Esthetician Hu Jingzhi.” China Literature and Art Criticism 3(2016):117-128.]
李心峰:《现代艺术学导论》。南宁:广西教育出版社,1995年。
[Li, Xinfeng. An Introduction to Modern Art. Nanning: Guangxi Education Publishing House, 1995.]
凌继尧:《艺术美学的理论构架和研究方法》,《江苏社会科学》6(1994):42—46。
[Ling, Jiyao. “The Theoretical Framework and Research Methods of Artistic Aesthetics.” Jiangsu Social Sciences 6(1994):42-46.]
弗里德里希·威廉·尼采:《论道德的谱系》,赵千帆、孙周兴译,《尼采著作全集》,第5卷。北京:商务印书馆,2015年。
[Nietzsche, Friedrich Wilhelm. On the Genealogy of Morality. Trans. Zhao Qianfan and Sun Zhouxing. The Complete Works of Friedrich Nietzsche. Vol.5. Beijing: The Commercial Press, 2015.]
爱德华·希尔斯:《论传统》,傅铿、吕乐译。上海:上海人民出版社,2009年。
[Shils, Edward. Tradition. Trans. Fu Keng and Lü Le. Shanghai: Shanghai People's Publishing House, 2009.]
王国维:《人间词话》。上海:上海古籍出版社,1988年。
[Wang, Guowei. Poetic Remarks in the Human World. Shanghai: Shanghai Chinese Classics Publishing House, 1988.]
马克斯·韦伯:《经济与社会》(下卷),林荣远译。北京:商务印书馆,1997年。
[Weber, Max. Economy and Society. Vol.2. Trans. Lin Rongyuan. Beijing: The Commercial Press, 1997.]
叶燮:《原诗》,霍松林校注。北京:人民文学出版社,1979年。
[Ye, Xie. The Origin of Poetry. Ed. Huo Songlin. Beijing: People's Literature Publishing House, 1979.]
张道一:《艺术学研究丛书总序》,《书门笺:张道一美术序跋集》。重庆:重庆大学出版社,2011年。107—110。
[Zhang, Daoyi. “General Preface to the Art Studies Series.” Zhang Daoyi's Collected Preface and Postscript for Fine Arts. Chongqing: Chongqing University Press, 2011.107-110.]
张晶:《关于文艺美学的反思》,《文艺争鸣》2(2021):84—89。
[Zhang, Jing. “Reflection on Literary and Art Aesthetics.” Literary Contention 2(2021):84-89.]
曾繁仁:《生态美学:后现代语境下崭新的生态存在论美学观》,《陕西师范大学学报》3(2002):5—16。
[Zeng, Fanren. “Ecological Aesthetics: A New Aesthetical View of Ecological Existentialism in the Postmodernist Context.” Journal of Shaanxi Normal University (Philosophy and Social Sciences Edition) 3(2002):5-16.]
——:《生态美学在当代美学学科中的新突破(代序)》,《生态美学导论》。北京:商务印书馆,2010年。1—5。
[---. “The New Breakthrough of Ecological Aesthetics in Contemporary Aesthetics (in Lieu of Preface).” An Introduction to Ecological Aesthetics. Beijing: The Commercial Press, 2010.1-5.]
——:《文艺美学的生态拓展(代序)》,《文艺美学的生态拓展》。上海:复旦大学出版社,2016年。1—2。
[---. “Ecological Extension of Literary and Art Aesthetics (in Lieu of Preface).” Ecological Extension of Literary and Art Aesthetics. Shanghai: Fudan University Press, 2016.1-2.]
——:《试论当代存在论美学观》,《文学评论》3(2003):57—68。
[---. “On Contemporary Existentialist Aesthetics.” Literary Review 3(2003):57-68.]
——:《文艺美学教程》。北京:高等教育出版社,2005年。
[---. A Course in Literary and Artistic Aesthetics. Beijing: Higher Education Press, 2005.]
周来祥:《文学艺术的审美特征与美学规律》。贵阳:贵州人民出版社,1984年。
[Zhou, Laixiang. The Aesthetic Characteristics and Laws of Literature and Art. Guiyang: Guizhou People's Publishing House, 1984.]