Welcome to Theoretical Studies in Literature and Art,

Theoretical Studies in Literature and Art ›› 2013, Vol. 33 ›› Issue (1): 86-92.

• Modern and Contemporary Literary Theory and Criticism • Previous Articles     Next Articles

The Rhetoric of "New Manchu": With a Focus on New Manchu Magazine in Puppet Manchurian State

Liu Xiaoli   

  1. the Department of Chinese Language and Literature, East China Normal University (Shanghai, 200241, China)
  • Online:2013-01-25 Published:2013-02-20
  • About author:Liu Xiaoli, Ph.D, is a professor at the Department of Chinese Language and Literature, East China Normal University (Shanghai, 200246, China), and his research areas cover contemporary Chinese literature, literary theory, aesthetics, and contemporary arts.

Abstract: Manchukuo, a puppet state of Japan in the northeastern part of China, tried to create an ideology of New Manchu. This paper explored how Manchu was turned into New Manchu, and then discussed the imperialist logic behind the rhetoric of New Manchu. The logic implied that Japan was advanced, civilized and attractive but Manchu was underdeveloped, inferior and uncivilized. Further to the assumption was that Manchu needed to be educated and transformed by Japan. The paper proceeded to discuss who could be the happy subjects under the governance of Manchukuo, and from there the paper tries to deconstruct the hypocritical illusions of the imperialist rhetoric. The paper concludes with a reflection upon the complicated relationship between colonialism and modernity.

Key words: puppet Manchurian State, New Manchu, rhetoric, imperialism